A METHOD FOR IMPLEMENTING UNIQUE IDENTIFIERS IN THE ENTERTAINMENT SUPPLY CHAIN

机译：一种在娱乐供应链中实现唯一标识符的方法

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The emergence of digital technologiesrnhas transformed every aspect of thernprofessional audiovisual supply chain fromrncontent creation and post-production torndistribution and consumption and createdrnnew opportunities for all stakeholders. Withrnthese opportunities also come challenges,rnsuch as more complex value chainrninteractions and an explosion in the numberrnof assets relevant to commerce.rnIn an effort to make the most of the newrnopportunities and address the challenges,rnmajor content producers have redesignedrnworkflows to make them content-centric,rnputting in place digital media managementrninfrastructure to help streamline operations.rnWhile these efforts help reducerninefficiencies, the role of unique identifiersrnin the movie and television supply chain canrnalso facilitate and improve the efficiency ofrnautomated workflows.rnIn late 2010, the Entertainment IdentifierrnRegistry (EIDR) was launched by a group ofrncompanies — including Comcast, Disney,rnWarner Bros, Rovi, MovieLabs, andrnCableLabs — as a non-profit tradernorganization acting as a centralized registryrnfor uniquely identifying video works. EIDRrnis built on the flexible data modelrnestablished by the Digital Object Identifierrnstandard.rnHowever, with digitization has also comerna fragmentation of the entertainment supplyrnchain. As the industry adopts cloud-basedrnsystems, a web services model built on openrnAPIs will soon follow. Small app-developersrnwill vie with large hardware manufacturersrnto deliver the most engaging consumerrnentertainment experience using the samernplatforms and content items. We need torntranslate our centralized ID space into arntechnology service layer which can bernaccessed by a distributed ecosystem.rnThis paper provides an overview of thernimplementation of and interfaces to EIDR,rnincluding registering and looking uprnrecords, metadata schema, andrndeduplication process. We then extend thisrnregistry into the distributed ecosystem byrndescribing technical methods developers canrnuse to keep in sync with the ID space as itrngrows and morphs. Web service-basedrnmechanisms for matching and translatingrncontent IDs across catalogs are described.rnWe introduce the concept of ID stability andrna time to live (TTL) model that uses readilyrnunderstood concepts of internet architecturernto implement EIDR and EIDR-like ID spacesrninto common software frameworks. Wernconclude with an investigation of potentialrnimplications and implementations forrncontent management, advertising,rninteractive applications, and EPG metadata.

机译：数字技术的出现已经改变了专业视听供应链的方方面面，从内容创建，后期制作到发行和消费，为所有利益相关者创造了新的机会。这些机会也伴随着挑战，例如更复杂的价值链互动以及与商业相关的数字资产的爆炸式增长。为了最大程度地利用新机遇并应对挑战，主要内容生产商已经重新设计了工作流程，使其以内容为中心，部署数字媒体管理基础架构以帮助简化运营。尽管这些努力有助于降低效率，但影视供应链中唯一标识符的作用也可以促进自动化工作流程并提高其效率。2010年底，娱乐识别码注册表（EIDR）由一组公司，包括康卡斯特（Comcast），迪斯尼（Disney），华纳兄弟（Warner Bros），罗维（Rovi），MovieLabs和有线电缆实验室（CableLabs），是一个非营利性贸易组织，充当集中注册管理机构，唯一标识视频作品。 EIDRrnis建立在由数字对象标识符标准建立的灵活数据模型的基础上。然而，随着数字化的发展，娱乐供应链也出现了碎片化。随着行业采用基于云的系统，基于openrnAPI的Web服务模型将很快出现。小型应用程序开发人员将与大型硬件制造商竞争，以使用相同的平台和内容项提供最吸引人的消费者娱乐体验。我们需要将集中的ID空间转换为可由分布式生态系统访问的arntechnology服务层。本文概述了EIDR的实现和接口，包括注册和查找记录，元数据模式和重复数据删除过程。然后，我们通过描述开发人员可以使用的技术方法，将这种注册表扩展到分布式生态系统中，以在IDR增长和变形时与ID空间保持同步。描述了用于跨目录匹配和翻译内容ID的基于Web服务的机制。我们介绍了ID稳定性和生存时间（TTL）模型的概念，该模型使用易于理解的Internet体系结构概念将EIDR和类似EIDR的ID空间实现到常见的软件框架中。最后，对内容管理，广告，交互式应用程序和EPG元数据的潜在含义和实现进行调查。

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来源
《2011 Spring Technical Forum Proceedings》|2011年|1-13|共13页
会议地点 Chicago IL(US)
作者
Michael Papish; Adam Powers;
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作者单位

Rovi Corporation;

VP, Technology Strategy, Rovi Corporation;

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原文格式 PDF
正文语种 eng
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A METHOD FOR IMPLEMENTING UNIQUE IDENTIFIERS IN THE ENTERTAINMENT SUPPLY CHAIN

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