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首页> 外文会议>88th Textile Institute world conference 2012 : Bridging innovation, research and enterprise >Creative Applications of Smart Technologies for Wellness, Fashion Design, and Dance
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Creative Applications of Smart Technologies for Wellness, Fashion Design, and Dance

机译：智能技术在健康，服装设计和舞蹈中的创造性应用

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For centuries, textiles have protected humans from cold and inclement weather, reflected cultural values, revealed social status, and served to attract or deter potential suitors. Textiles also serve a wide variety of artistic purposes, from fashion runways to dance performances. Since the late 20th century, designers, artists, chemists, and engineers have experimented with incorporating various technologies into textiles in order to enhance their functionality and aesthetic qualities. This paper is about the role of the fashion designer in an era of smart clothing. It will include a discussion of four projects, all conducted in collaboration with Arizona State University, to illustrate the wide range of possibilities of wearable technologies in fashion design. To begin, the Scentsory Chameleon Bodysuit (2004) prototypes showed how wearable technologies may influence human health and safety. Innovations in the field of textiles also offer new possibilities in dance performance, enabling dancers to more fully immerse themselves in all major elements of performance. The concert Paper Interiors (2002) utilized special textiles that interacted directly with external technologies and multimedia to create a unique 3D viewing experience. Motion-e (2004-2005) included wearable technologies that influenced light and sound. Last but not least, the Telematic Dress (2008-2011) challenged the traditional viewpoint that a live performance required dancers to be in the same space. As technologies continue to evolve, their potential uses in smart clothing grows exponentially.
机译：几个世纪以来，纺织品一直保护人类免受寒冷和恶劣天气的影响，反映出文化价值，彰显了社会地位，并吸引或阻止了潜在的追求者。纺织品还用于各种各样的艺术目的，从时装跑道到舞蹈表演。自20世纪末以来，设计师，艺术家，化学家和工程师开始尝试将各种技术整合到纺织品中，以增强其功能性和美学品质。本文是关于时装设计师在智能服装时代中的角色。它将包括与亚利桑那州立大学合作进行的四个项目的讨论，以说明可穿戴技术在时装设计中的广泛可能性。首先，Scentsory变色龙紧身衣（2004）原型展示了可穿戴技术如何影响人类健康和安全。纺织品领域的创新还为舞蹈表演提供了新的可能性，使舞者能够更充分地融入表演的所有主要元素。音乐会《 Paper Interiors》（2002年）采用了特殊的纺织品，这些纺织品直接与外部技术和多媒体互动，从而创造了独特的3D观看体验。 Motion-e（2004-2005）包括影响光和声音的可穿戴技术。最后但并非最不重要的一点是，Telematic Dress（2008-2011年）挑战了传统观点，即现场表演要求舞者在同一空间。随着技术的不断发展，它们在智能服装中的潜在用途呈指数增长。

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