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首页> 外文会议>ACM SIGCHI conference on creativity and cognition 2009 >Addressing the Unexpected
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Addressing the Unexpected

机译：应对意外

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My research strives to examine clothing as an instrument for creative social encounters. It is my strong belief that the natural tactility of a wearable structure and its' proximity to the body hold great possibility for intuitive play. A hands-on choreography of fashion, technology, and performance, my work aims to explore this theory, through the pro-active assembly of body-centric modules and the physical exploration of textiles.rnUtilizing the body as a tangible landscape, I employ both manual and electronic devices designed to unleash curiosity in the wearer and those around them. Using combinations of tailoring, upholstery, origami and electronics, I create tactile interfaces that reveal hidden narratives through the exploration of the wearer. Rarely viewed solely on the body, the work is often found hidden in portable boxes, concealed in urban cupboards, or merged with the city's landscape. Ripe for discovery, it must be exposed, unpacked, assembled, and then mastered. To become a virtuoso of each wearable device, we must be social, inquisitive, playful, and intrepid.rnI use digital fabrication methods such as the laser cutter and 3d printers alongside traditional fashion and upholstery techniques to create reconfigurable body-centric landscapes. Blending soft malleable textiles with robust industrial materials more associated with architecture and furniture design, I create ambiguous structures that are both foreign and familiar to their inquisitors. Through cross-disciplinary collaboration, I connect with musicians, dancers, filmmakers, architects and scientists. Diving beyond my own pool of expertise allows the work to grow through the sharing and harvesting of new skills, knowledge and working methodologies.rnA recent example of my approach is 'Sharewear', a project implemented at the V2 Institute in Rotterdam, which explores openings for playful connectivity within the public realm. The work comprises of a pair of reconfigurable, electronic dresses that are housed in wooden boxes, and left in public space to be unpacked and assembled. On discovering these containers, inquisitive pioneers are invited to construct their own portable space around the body by manipulating a series of soft, upholstered modules. Unleashing potential for intimate chance encounters, these squashy components can physically slot together to activate pools of light. Through this interaction,rnthey invite participants to get close, lean on one another, morph space and cast long shadows.rnThis research focus is being further developed with a project entitled 'Municipal Instruments', implemented as part of my residency at Eyebeam Art and Technology Center in New York City. The project aims to remix the behavior of urban inhabitants through a series of wearable musical devices intended to be found, assembled, worn, and shared within public space. Their curvilinear structures, which naturally conform to the body, aim to entice experimental play. The output of this interaction will be an urban symphony, composed from the orchestral reverberations of the city and its inhabitants. Through these and other material explorations, I have become focused on the links between hands-on assembly, creative movement, and communal experience, via the malleable landscape of textiles and technology. Throughout this process, it is my aim to unleash an unexpected sequence of events for those who choose to observe, discover, play, and connect.
机译：我的研究致力于检验服装作为创造社交机会的工具。我坚信，可穿戴结构的自然触感及其与身体的接近性为直观游戏提供了极大的可能性。我的工作是对时尚，技术和性能的动手编舞，目的是通过主动组装以身体为中心的模块并进行纺织品的物理探索来探索这一理论。旨在释放佩戴者及其周围人们好奇心的手动和电子设备。通过结合剪裁，室内装潢，折纸和电子产品，我创建了触觉界面，通过对佩戴者的探索揭示了隐藏的叙述。很少单单从身体上看，作品经常被藏在便携式盒子中，隐藏在城市橱柜中，或者与城市景观融为一体。发现的时机已经成熟，必须将其暴露，拆包装，组装然后再掌握。要成为每个可穿戴设备的专家，我们必须社交，好奇，嬉戏和勇敢。我使用激光切割机和3d打印机等数字制造方法以及传统的时尚和室内装潢技术来创建可重新配置的以人体为中心的景观。我将柔软的可延展纺织品与坚固的工业材料融合在一起，这些材料与建筑和家具设计更加相关，我创建了模棱两可的结构，这些结构对于他们的调查者来说都是陌生的。通过跨学科的合作，我与音乐家，舞者，电影制片人，建筑师和科学家建立了联系。超越我自己的专业知识库，潜水工作可以通过共享和收获新技能，知识和工作方法来发展。rn我的方法的最新示例是“共享服装”，这是在鹿特丹V2研究所实施的一个项目，旨在探索各种机会在公共领域内实现有趣的连接。作品包括一对可重配置的电子连衣裙，这些连衣裙被装在木箱中，并留在公共空间中以进行包装和组装。发现这些容器后，好奇的先驱者被邀请通过操纵一系列柔软的软垫模块，在身体周围构造自己的便携式空间。这些鳞次components比的组件可以释放出与亲密机会相遇的潜力，可以物理缝在一起以激活光线池。通过这种互动，他们邀请参与者彼此靠近，彼此靠拢，变形空间并投射长长的阴影。rn该研究重点正在通过名为“市政仪器”的项目得到进一步发展，该项目是我在Eyebeam Art and Technology驻留的一部分纽约市中心。该项目旨在通过一系列旨在在公共空间内发现，组装，佩戴和共享的可穿戴音乐设备，重新混合城市居民的行为。它们的曲线结构自然顺应人体，旨在吸引实验玩法。这种互动的结果将是城市交响曲，由城市及其居民的管弦乐回响组成。通过这些和其他物质探索，我已经通过纺织品和技术的可塑性景观，专注于动手组装，创意运动和公共体验之间的联系。在整个过程中，我的目标是为那些选择观察，发现，娱乐和联系的人们释放意想不到的事件序列。

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