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Toward a stereoscopic encoder/decoder for digital cinema

机译:面向数字电影的立体编码器/解码器

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摘要

The digital cinema is very challenging because it represents tomorrow way of capturing, post-producing and projecting movies. Specifications on this media are provided by DCI (Digital Cinema Initiatives) founded by the Hollywood Majors. Among the specifications we can find issues about resolution, bitrate, JPEG2000 compression Moreover, the market assumes that 3D could raise the turnover of cinema industry. The problem with is the availability of 2 streams (left and right) that double the amount of data and need adapted devices to decode and project movies. Cinema industry, represented by the stereoscopic group in SMPTE has expressed the need of having a unique master that combines two streams in one. This paper focuses on the study of the generation of a master with one of the streams and the embedment of the redundant information as metadata in JPEG2000 code-stream or MXF. The idea is to use the reference image in addition to some metadata to reconstruct the target image. The metadata represent the residual image and the contours description. Quality of reconstructed images depends on the compression ratio of the residual image. The obtained results are encouraging and the choice between JPEG2000 metadata embedding and MXF metadata still to be done.
机译:数字电影非常具有挑战性,因为它代表了明天捕获,后期制作和放映电影的方式。该媒体的规格由好莱坞专业电影院(Dollywood Majors)创立的DCI(数字电影倡议)提供。在规格中,我们可以找到有关分辨率,比特率,JPEG2000压缩的问题。此外,市场认为3D可以提高电影业的营业额。问题在于2个流(左和右)的可用性使数据量增加了一倍,并且需要适用的设备来解码和投影电影。以SMPTE中的立体小组为代表的电影行业表示,需要有一个将两个流合并为一个的独特母带。本文重点研究使用流之一生成母版并将冗余信息作为元数据嵌入JPEG2000码流或MXF中的研究。这个想法是除了一些元数据以外,还使用参考图像来重建目标图像。元数据表示残留图像和轮廓描述。重建图像的质量取决于残像的压缩率。获得的结果令人鼓舞,仍然需要在JPEG2000元数据嵌入和MXF元数据之间进行选择。

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