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首页> 外文会议>International Conference on Human-Computer Interaction;Thematic Area, Conference on Human-Computer Interaction >Typography in Interactive Poetry: Gestures and Their Contributions to Reading Multiplicities
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Typography in Interactive Poetry: Gestures and Their Contributions to Reading Multiplicities

机译：互动诗歌中的印刷术：手势及其对阅读多重性的贡献

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摘要

This study investigates the ways in which visual poems have expanded their creation and interpretation possibilities in digital environments. A significant poetic contribution of these media is the possibility of physical interferences by the reader, thus transforming the reader into an interactor. Another fundamental element for the materialization of electronic poetry (or e-poetry) is typography. Contrary to what occurs on paper, it is possible to interact, deform and transform the types that constitute poems in digital interfaces, which brings the novelty of inserting gestures as creative poetry potentialities. In order to explore these hypotheses, this article comprises two stages. In the first, we will establish a relation between the following poems: lygia fingers (1953), dias dias dias (1953), Poemobile vivavaia (1974) and cripto-cardiograma (2003), all by Augusto de Campos, and the theory raised by Plaza [1] concering the degrees of interpretation that influence interactivity. In the second stage, we will discuss the subjectivity of implicit gestures in digital poetry, based on two works: Segundo Soneto Meio Barroco (2000), by Alckmar Luiz dos Santos and Gilbertto Prado, and Between Page and Screen (2012), by Amaranth Borsuk and Brad Bouse.
机译：这项研究调查了视觉诗歌在数字环境中扩展其创作和解释可能性的方式。这些媒体的重要诗意贡献是阅读器可能会发生物理干扰，从而将阅读器转变为交互器。实现电子诗歌（或电子诗歌）的另一个基本要素是排版。与纸面上的情况相反，可以交互，变形和变换数字界面中构成诗歌的类型，这带来了将手势插入作为创造性诗歌潜力的新颖性。为了探讨这些假设，本文分为两个阶段。首先，我们将建立以下诗之间的关系：lygia finger（1953），dias dias dias（1953），Poemobile vivavaia（1974）和cripto-cardiograma（2003），都是奥古斯托·德·坎波斯（Augusto de Campos）编写的，并且提出了相关理论Plaza [1]认为影响互动性的解释程度。在第二阶段，我们将基于两部作品讨论数字诗歌中隐含手势的主观性：Segundo Soneto Meio Barroco（2000），Alckmar Luiz dos Santos和Gilbertto Prado的作品，以及Between Page and Screen（2012），Amaranth的作品。 Borsuk和Brad Bouse。

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