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Production Analyses of Glazed Bricks during Ilamid Times in Iran

机译：伊朗伊斯兰时期的釉面砖的生产分析

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Archaeological documents and evidences show that west south and south of Iran were among the oldest glazed brick production centres for having desirable clay soil and minerals and several mines and were equipped with advanced techniques. Remained epigraphs form Ontash Napirsha in Choghazanbil (13 B.C.) includes special information about producing glaze for bricks and glazed objects. Continuing the changes in style and volume of glazed brick production, hard and multi-colour bricks were produced and used for architectural decoration.rnRegarding glazed brick production techniques by Ilamids we can pay attention to the ways of making glaze, production, designing paintings and measuring system which were used by artists, architects and artisans of Ilamids. Bricks of this period are independent regarding paintings on them and artistic composition and have their special style and method. Continuation of this artistic and technical tradition can be found in new Ilamid times and it continues to be found in glazed brick productions which were used in Daryoush Palace in Susa and Persepolis (Parseh) and is analyzed in the form of case study in this article.
机译：考古文献和证据表明，伊朗西南部和西南部是最古老的釉面砖生产中心之一，拥有理想的黏土和矿物以及一些矿山，并且配备了先进的技术。 Choghazanbil（公元前13年）的Ontash Napirsha留下的碑文包括有关为砖和釉面物体生产釉料的特殊信息。随着釉面砖生产的样式和数量的变化，硬质和多色砖生产并用于建筑装饰。rn关于Ilamids釉面砖的生产技术，我们可以关注釉料的生产，生产，绘画设计和测量方法。该系统被Ilamids的艺术家，建筑师和工匠使用。这个时期的砖在其上的绘画和艺术构图方面是独立的，并具有其特殊的风格和方法。这种艺术和技术传统的延续可以在新的Ilamid时代找到，并且继续在苏萨和波斯波利斯（Parseh）的Daryoush Palace（Parseh）所使用的琉璃砖产品中找到，并通过案例研究的形式进行分析。

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