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Reconstruction of Monumental Painting of the Church on Nereditsa Hill in the City Novgorod the Great: Methodology of Painting and Virtual Reconstruction Combination

机译:诺夫哥罗德大帝涅尔迪萨山上教堂纪念性绘画的重建:绘画方法与虚拟重建相结合

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There are many architectural monuments that cannot be restored due to different reasons, such as difficulty and complexity of the work or lack of information about the object. Saint-Petersburg State University developed a method of restoration of partially or completely lost monumental paintings. New methodology was applied to fresco paintings of the Church Spas-na-Nereditse in the city Novgorod the Great, which were almost completely destroyed during the Second World War. The extant parts consist of 325,000 pieces and its manual restoration is still very far from completion. In the process of virtual reconstruction researchers have used two methods: computer-based reconstruction and analog pictorial reconstruction. The first method provides plausibility, whereas the second method helps us to simulate the ancient process of painting, to convey the artist's style, reproduce the form, direction and strength of the artist's touch. The methodology may open new possibilities for the restoration of other fresco ensembles.
机译:许多建筑遗迹由于不同的原因而无法修复,例如工作的难度和复杂性或缺乏有关该物体的信息。圣彼得堡国立大学开发了一种修复部分或全部遗失的纪念性绘画的方法。一种新的方法被应用于诺夫哥罗德大帝城内斯佩斯纳教堂的壁画,在第二次世界大战期间几乎被完全摧毁。现有零件包括325,000件,其手动修复距离完成还很遥远。在虚拟重建过程中,研究人员使用了两种方法:基于计算机的重建和模拟图形重建。第一种方法提供了真实性,而第二种方法则帮助我们模拟了古老的绘画过程,传达了画家的风格,再现了画家触感的形式,方向和强度。该方法可以为其他壁画乐团的修复开辟新的可能性。

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