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What Is a Good Day for Outdoor Photometric Stereo?

机译:户外测光立体音响有什么美好的一天?

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Photometric Stereo has been explored extensively in laboratory conditions since its inception. Recently, attempts have been made at applying this technique under natural outdoor lighting. Outdoor photometric stereo presents additional challenges as one does not have control over illumination anymore. In this paper, we explore the stability of surface normals reconstructed outdoors. We present a data-driven analysis based on a large database of outdoor HDR environment maps. Given a sequence of object images and corresponding sky maps captured in a single day, we investigate natural factors that impact the uncertainty in the estimated surface normals. Quantitative evidence reveals strong dependencies between expected accuracy and the normal orientation, cloud coverage, and sun elevation. In particular, we show that partially cloudy days yield greater accuracy than sunny days with clear skies; furthermore, high sun elevation--recommended in previous work--is in fact not necessarily optimal when taking more elaborate illumination models into account.
机译:自成立以来,光度立体音响已在实验室条件下进行了广泛的研究。近来,已经尝试在室外自然光线下应用该技术。户外光度学立体音响提出了另外的挑战,因为人们不再控制照明。在本文中,我们探索了在户外重建的表面法线的稳定性。我们基于大型室外HDR环境地图数据库提供了数据驱动的分析。给定一天中捕获的一系列目标图像和相应的天空图,我们将研究影响估计表面法线不确定性的自然因素。定量证据表明,预期精度与法线方向,云层覆盖和太阳高度之间存在强烈的依存关系。特别是,我们表明,部分多云的日子比晴朗天空的晴天有更高的准确性。此外,在考虑更精细的照明模型时,高太阳高度(在以前的工作中建议)实际上不一定是最佳的。

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