首页> 外文会议>IEEE International Conference on Cognitive Infocommunications >Synchronistic historical background for Jung-Pauli's modelling of psyche and nature concerning the aquarius myth part I: The aquarius mythologem in the “St. John — St. Andrew” enamel picture of the Holy Crown of Hungary
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Synchronistic historical background for Jung-Pauli's modelling of psyche and nature concerning the aquarius myth part I: The aquarius mythologem in the “St. John — St. Andrew” enamel picture of the Holy Crown of Hungary

机译:荣格·保利(Jung-Pauli)关于水瓶座神话部分的心理与自然建模的同步历史背景,第一部分:“圣保罗大教堂”中的水瓶座神话。约翰-圣安德鲁”匈牙利圣冠的珐琅照片

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The paper discusses the presentations of special great works of art to compare their system of "representation" and meaning to the similar identifiable and re-interpreted symbols, imagery and meaning communications in between Jung and Pauli's "imagination and interpretation space". In the first part of the paper we attempt to prove hypothesis of the meaningful synchronicity by the symbolic interpretation of three interrelated, stunningly beautiful and unique images of the apostles on the Holy Crown of Hungary.
机译:本文讨论了特殊艺术作品的表现形式,以比较其“表现”和意义的体系与荣格和保利的“想象和阐释空间”之间类似的可识别和重新诠释的符号,意象和意义交流。在本文的第一部分中,我们试图通过对匈牙利圣王冠上使徒的三个相互关联,惊人的美丽和独特形象的象征性解释,来证明有意义的共时性的假设。

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