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Nationalism in Space Rhetoric, Khrushchev v. Kennedy and Burke Looking to the Past to Ensure a More Cooperative Future

机译:赫鲁晓夫诉肯尼迪诉伯克(Khrushchev v。Kennedy)和伯克(Burke)在太空修辞学中的民族主义

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By using rhetorician Kenneth Burke's theory of Dramatism this paper will analyze the presence of nationalism in oral descriptions of the goals of a national space program by analyzing two public addresses, one Soviet, one American. By employing the focus that Burke's lens provides us we can start to understand that while space exploration is often hailed as peaceful and for the benefit of humanity, it is often "sold" to the public in starkly nationalistic terms as a way to ignite public pride in the program, and to generate the necessary financial support for the undertaking of exploration activities. It is important to remember that rhetoric is historical and that the analysis of it is important to our community. By examining the role of nationalism in space exploration, we may begin to see why nations explore space; why so-called "developing" nations value a national space program; and why cooperation in space may still be fragile, subject to prevailing national whims and political goals, and overshadowed by geopolitical events - similar to the period of U.S. - Soviet rivalry. It is important to look back at these two speeches both to acknowledge their impact on world history, but also to learn from their rhetoric so that future space exploration efforts are more about cooperation and collaboration which may foster a new generation of exploration for all mankind, and less about nationalist rivalries that can stunt growth and cripple our ability to further understand our universe. The artifacts to be analyzed are Soviet Premier Nikita Khrushchev's April 14, 1961 address to the Soviet People entitled 'The Feat Will Go Down in the Ages," an address celebrating the safe orbit and return of Cosmonaut Yuri Gargarin from space and American President John F. Kennedy's September 12, 1962 address at Rice University entitled "Why We go to the Moon." Besides being iconic speeches, both firmly established the idea that space programs were primarily national undertakings and a source of pride to their nations. Additionally, the Soviet "victory" in reaching space first directly influenced Kennedy's motivation to put the U.S. on the Moon before the Soviets. Through the gaze of Burke, we can see that both speeches were fiercely nationalistic, spoken by actors firmly enmeshed in a Cold War mentality - that neither could escape due to the prevailing political atmospheres. Burke argued that all "life is drama," and that each of us is an actor on life's stage - with our actions and words creating reality. For Khrushchev and Kennedy, the reality of supporting the advancement of their national space programs created a nationalistic rivalry between the nations that lasted throughout the Cold War. Through Burke's lens we can examine the actors - both shaped by their national viewpoints; the place of both speeches - one in a central downtown Moscow area at a rally proclaiming success in the nascent "space race," and the other in a university setting of a private university - perhaps contrasting the public and the private; the common and the privileged; the agency of both leaders, and the importance of establishing their visions for space; and the purpose of their action - both celebrating their national space programs while laying out visionary claims for the future of space exploration.
机译:通过使用修辞学家肯尼思·伯克的戏剧主义理论,本文将通过分析两个公共演说(一个是苏联,一个是美国人)来分析民族主义在国家太空计划目标的口头描述中的存在。通过利用伯克的镜头为我们提供的关注,我们可以开始理解,尽管太空探索通常被人们誉为和平并出于人类的利益,但它通常以鲜明的民族主义术语“出售”给公众,以此激发公众的自豪感。在计划中,并为进行勘探活动提供必要的财务支持。重要的是要记住,修辞是历史性的,对它的分析对我们的社区很重要。通过研究民族主义在太空探索中的作用,我们可能会开始理解为什么国家探索太空。为什么所谓的“发展中”国家重视国家太空计划;以及为什么太空合作可能仍然脆弱,受制于普遍的国家异想天开和政治目标,并因地缘政治事件(与美国时期相似)而被苏联的竞争所掩盖。重要的是回顾这两个演讲,既要承认它们对世界历史的影响,又要学习它们的言辞,以便将来的太空探索工作更多地是关于合作与协作,这可能会促进全人类的新一代探索,更不用说民族主义的竞争会阻碍增长并削弱我们进一步了解我们的宇宙的能力。待分析的文物是苏联总理尼基塔·赫鲁晓夫(Nikita Khrushchev)于1961年4月14日在苏联人民的演讲,题为“该壮举将历久弥新”。肯尼迪(Kennedy)于1962年9月12日在赖斯大学发表题为“为什么我们要去月球”的演讲,除了发表标志性的讲话外,双方都坚定地认为太空计划主要是国家的事业,并为其国家带来自豪感。首先,到达太空的“胜利”直接影响了肯尼迪在苏联面前把美国登上月球的动机。通过伯克的目光,我们可以看到,这两次演讲都是强烈的民族主义,而演员们的讲话深深地植根于冷战的思想中,那就是:伯克认为,所有“生命就是戏剧”,而且我们每个人都是生命舞台上的演员-我们的行为和行动创造现实的单词。对于赫鲁晓夫和肯尼迪而言,支持推进其国家空间计划的现实在整个冷战期间持续存在的国家之间形成了民族主义的竞争。通过伯克的镜头,我们可以考察演员-都是受他们国家观点的影响;两次演讲的地点-一次在莫斯科市中心的一次集会上宣称在新生的“太空竞赛”中取得了成功,另一次在私立大学的大学环境中进行了演讲-可能与公众和私人形成了鲜明的对比;普通人和特权人;两位领导人的代理机构,以及确立他们对太空的愿景的重要性;及其行动的目的-既庆祝其国家太空计划,又为太空探索的未来提出了富有远见的主张。

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