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The Pilot Study of the Theater of the Bauhaus

机译：包豪斯剧院的初步研究

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After the establishment of Bauhaus School, in order to enable students to study across fields, the principal Walter Gropius hopes that the artist Oskar Schlemmer will be responsible for the drama course. From 1923 to 1929, Schlemmer led the Bauhaus theater course, creating the golden age of the Theater of the Bauhaus and becoming synonymous with the Theater of the Bauhaus. The simplest statement he puts forward is that "the human body is a mobile building." «Triadic Ballet» tried to create with the students in a work-shop led by Schlemmer in 1912. In 1923, at the Weimar National Theatre, which took ten years of experimentation, Schlemmer developed the potential of exploring theaters in a metaphorical way of dance and machine.LSEP This stylized theater dance became an important text for understanding modern art revolution and Bauhaus's stage thoughts. Bauhausdances.org suggested: "Schlemmer influenced the performance theory of Moss Cunningham, John Cage, and Ivan Nicholas." Compared with the research on Bauhaus, such as architecture and product design, the Theater of the Bauhaus is less discussion. However, the forward-looking experiments of the Theater of the Bauhaus «Triadic Ballet have profoundly influenced the integration and development of modern cross-disciplinary performing arts. This study attempts to analyze the Theater of the Bauhaus «Triadic Ballet» proposing the aesthetic view of human body in space, From the perspective of art history, this paper analyzes the contemporary sig-nificance of this work in the development of modernist art.
机译：包豪斯学院成立后，为了使学生能够跨领域学习，校长沃尔特·格罗皮乌斯（Walter Gropius）希望艺术家奥斯卡·施勒默（Oskar Schlemmer）负责戏剧课程。从1923年到1929年，施莱默（Schlemmer）领导包豪斯剧院课程，创造了包豪斯剧院的黄金时代，并成为包豪斯剧院的代名词。他提出的最简单的说法是“人体是可移动的建筑物”。 «Triadic Ballet»试图在1912年由Schlemmer领导的工作坊中与学生一起创作。1923年，在进行了10年实验的魏玛国家剧院，Schlemmer开发了以隐喻舞蹈方式探索剧院的潜力。 LSEP这种风格化的戏剧舞蹈成为理解现代艺术革命和包豪斯舞台思想的重要文本。 Bauhausdances.org建议：“施莱默影响了莫斯·坎宁安，约翰·凯奇和伊凡·尼古拉斯的表演理论。”与建筑，产品设计等有关包豪斯的研究相比，包豪斯的剧院讨论较少。但是，包豪斯“三部曲芭蕾舞团”剧院的前瞻性实验对现代跨学科表演艺术的融合和发展产生了深远的影响。这项研究试图分析包豪斯剧院的“三段式芭蕾舞”剧院，提出人类在空间上的审美观。从艺术史的角度，本文分析了该作品在现代主义艺术发展中的当代意义。

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