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Long live the new video flesh after videodrome Envisioning mutable surfaces for architecture

机译:LONG LIVE全新的视频肉体videodrome后设想架构的可变曲面

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This paper describes a system of a dynamic and interactive environment taking inspiration in the 1983 film by David Cronenberg entitled "Videodrome". The movie thereby provides a metaphor for proposing an embodied interface merging video from a physical realm into digital form in real time through an "emotion detector". The main challenge is to detect emotional states of the physical reality and translate them into the digital dimension in real time. The main objective of the project is to test possibilities to turn it into an emotive mutable and permanent membrane for an architectural surface in a near future. This paper also seeks out to reflect on the growing interest in integrating media elements into architecture and how these new emerging principles are creating non traditional material-realities.
机译:本文介绍了一个动态和互动环境的系统,在1983年题为“videodrome”的大卫克隆伯格举办了1983部电影中的灵感。因此,电影提供了一种隐喻,用于通过“情感探测器”实时地从物理领域从物理领域提出视频。主要挑战是检测物理现实的情绪状态,并实时将它们转化为数字维度。该项目的主要目的是测试可能在不久的将来将其转化为以建筑面的情感变形和永久膜。本文还寻求反思对将媒体元素融入架构的越来越令人兴趣以及这些新的新兴原则如何创造非传统材料 - 现实。

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