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首页> 外文会议>SPIE Conference on Color Imaging : Displaying, Processing, Hardcopy, and Applications >The development of artists' novel colour palettes for inkjet printing
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The development of artists' novel colour palettes for inkjet printing

机译：用于喷墨印刷的艺术家新型调色板的发展

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摘要

In this changing environment in which the artist and designer has access to a wide range of digital imaging tools and technologies, that on first glance, are dedicated to the creation of colour mixtures, why is the digital interface and colour outcome often disappointing? It appears that hardware, software tools and methods for digital printing are not necessarily suited to the specific requirements of the artist. In fact, they are too generalised to obtain a high degree of quality and tooinflexible to allow artists to obtain precision and predictability. Is it possible for an artist to mix and print a colour that captures their creative imagination? The motivation for this research is based on how artists mix and print colour by traditional means (painting and printmaking) and how these differ from colour picker tools, slider bars and methods developed for digital printing, and whether it is possible to incorporate both? The paper provides a brief historical background to artists who have developed colour systems to assist their particular colour choices. Based on existing hardware and software, the paper suggests alternative approaches to colour selection, demonstrates methods for the creation of novel inkjet printed palettes, and how these can be visualised and compared.
机译：在这个变化的环境中，其中艺术家和设计师可以访问各种数字成像工具和技术，即首先浏览，致力于创建颜色混合物，为什么数字界面和颜色结果往往令人失望？它似乎是硬件，软件工具和数字印刷方法不一定适用于艺术家的特定要求。事实上，它们太广泛地获得了高度的质量和太神去，以允许艺术家获得精度和可预测性。艺术家有可能混合和打印捕捉他们的创意想象的颜色吗？该研究的动机是基于艺术家如何通过传统方式（绘画和印刷品）混合和打印颜色以及这些研究的颜色与用于数字印刷的颜色拣选工具，滑块条和方法不同，以及是否有可能包含两者？本文为艺术家提供了一个简要的历史背景，他们开发了彩色系统以帮助其特定的颜色选择。基于现有硬件和软件，本文表明了颜色选择的替代方法，演示了创建新型喷墨印刷调色板的方法，以及如何可视化和比较这些方法。

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