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A User-Centered Design of a Personal Digital Library for Music Exploration

机译：用于音乐探索的个人数字图书馆的用户中心设计

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We describe the evaluation of a personal digital library environment designed to help musicians capture, enrich and store their ideas using a spatial hypermedia paradigm. The target user group is musicians who primarily use audio and text for composition and arrangement, rather than with formal music notation. Using the principle of user-centered design, the software implementation was guided by a diary study involving nine musicians which suggested five requirements for the software to support: capturing, overdubbing, developing, storing, and organizing. Moreover, the underlying spatial data-model was exploited to give raw audio compositions a hierarchical structure, and-to aid musicians in retrieving previous ideas-a search facility is available to support both query by humming and text-based queries. A user evaluation of the completed design with eleven subjects indicated that musicians, in general, would find the hypermedia environment useful for capturing and managing their moments of musical creativity and exploration. More specifically they would make use of the query by humming facility and the hierarchical track organization, but not the overdubbing facility as implemented.
机译：我们描述了对旨在帮助音乐家捕获，丰富和存储他们的想法的个人数字图书馆环境的评估，并使用空间超媒体范例。目标用户组是主要使用用于构图和安排的音频和文本的音乐家，而不是用正式的音乐符号。利用以用户为中心的设计原理，软件实施是由涉及九个音乐家的日记研究指导，这提出了软件支持的五个要求：捕获，过度地，开发，存储和组织。此外，利用底层空间数据模型来提供原始音频组合的分层结构，以及帮助音乐家检索先前的想法 - 搜索工具可用于通过嗡嗡声和基于文本的查询来支持查询。通过11个主题的完成设计的用户评估表明，音乐家通常会发现高度媒体环境，可用于捕获和管理他们的音乐创造力和探索的时刻。更具体地说，他们将通过嗡嗡作曲和分层轨道组织利用查询，但不是所实现的过度设备。

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