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Towards an Autonomous Theatrical Robot

机译:朝着自主戏剧机器人

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摘要

Theatre, movies, and TV series captivate people because they show interesting stories. The success of these stories does not depend exclusively on their script, but also on the realism that actors incorporate in their performance. This realism means that actors must reflect everyday human-human interactions. However, theatre demands something that movies and TV series do not, that is the live production of believable human-human interaction. Theatre actors do not have second chances to recover problems in their performance with the same audience. They have to project emotions to the whole audience to make them believe in the played character and to engage them in the play: this same principle is used in effective social relations played in the real world. The aim of the project introduced in this paper is to implement a theatrical robot actor that can perform on the stage with human actors, generating the appropriate emotional expressions and social behavior, and solving autonomously eventual problems that could rise in the representation. Moreover, it should have a simple interface to enable untrained people, such as a director, to give it basic instructions that it can interpret to effectively play its role in the piece. Theatrical robots developed so far could mainly be used as props in theatre, and do not exploit theatre's constrains, nor could express emotions automatically generated from text and directions. The development of a theatrical actor is a first step towards the implementation of effective autonomous robots able to socially interact with people, the system and platform could be extended to other areas where showing emotions is important, as in robot games and assistive robots.
机译:剧院,电影和电视剧迷住了人们,因为他们展示了有趣的故事。这些故事的成功并不完全依赖于他们的剧本,而且还没有依赖于他们的剧本,而且还依赖于演员在其表现中的现实主义。这种现实主义意味着演员必须反映日常人类的人类互动。然而,剧院要求电影和电视系列没有,这是可信人类互动的现场生产。剧院演员没有第二种机会,以相同的观众恢复表现的问题。他们必须将情感投入整个观众,使他们相信发挥的角色并在比赛中搞他们:相同的原则在现实世界中的有效社会关系中使用。本文介绍的项目的目的是实施一个可以在与人类学家的舞台上执行的戏剧机器人演员,产生适当的情感表达和社会行为,并解决可能在代表中崛起的自主最终问题。此外,它应该有一个简单的界面,以使未经培训的人(例如导演)提供基本指令,即它可以解释有效地发挥其在该部件中的作用。到目前为止开发的戏剧性机器人可以主要被用作剧院的道具,并且不会利用剧院的约束,也不能表达从文本和方向生成的情绪。戏剧演员的发展是实现能够与人们进行社会互动的有效自治机器人的第一步,系统和平台可以扩展到其他领域,其中显示情绪很重要,如机器人游戏和辅助机器人。

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