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首页> 外文会议>International Conference on Human-Computer Interaction;International Conference on Universal Access in Human-Computer Interaction >Creative Media Accessibility: Placing the Focus Back on the Individual
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Creative Media Accessibility: Placing the Focus Back on the Individual

机译：创意媒体可访问性：将重点放回个人身上

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摘要

Although the emergence of integrated and collaborative approaches to media accessibility and audiovisual translation, such as accessible filmmaking, often require creative approaches, professionals trained in this area are hard to come by. The aim of this paper is, firstly, to explore why media accessibility does not seem to have pursued this creative route consistently until now. The focus is placed here on the currently prevailing experimental turn, which favours quantitative approaches and has been used to inform current media accessibility guidelines. Secondly, the paper defines creative media accessibility and seeks to identify and analyse the work of an emerging movement of artists, with especial attention to Liza Sylvestre, who uses media accessibility as a source of creativity. Her work constitutes a valuable contribution to research and training in media accessibility, placing the focus back on the individual as a necessary complement to the currently prevailing emphasis on quantitative studies in this field.
机译：虽然媒体可访问性和视听方式的综合和协作方法的出现，如可访问的电影制作，往往需要创造性的方法，但在这一领域培训的专业人士很难通过。本文的目的是探讨为什么媒体可访问性似乎似乎始终持续追求这一创意路线。该重点放在此目前普遍的实验转弯，这有利于定量方法，并已用于通知当前媒体可访问性指南。其次，本文定义了创造媒体可访问性，并寻求识别和分析艺术家新兴运动的工作，特别关注Liza Sylvestre，他将媒体可访问性作为创造力的来源。她的工作对研究和培训在媒体可访问性上是一个有价值的贡献，将重点放在个人上作为目前普遍的重视该领域的定量研究的必要补充。

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