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A Tale of Two DRM: The Co-Construction of Access and Use Rights for Licensed Digital Library Resources

机译：两个DRM的故事：许可数字图书馆资源的访问和使用权的共建

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摘要

This paper explores the process by which access and use rights for licensedrndigital resources are co-constructed between owners and users of intellectualrnproperty through a longitudinal social process. It describes this co-constructionrnprocess for the development of digital rights management (DRM) technologies onrntwo digital scholarly resources –the Society for Automotive Engineers (SAE)rnDigital Library and ARTstor. The ARTstor DRM development process could bernseen as "the best of times" where the vendor actively sought stakeholder inputrnand engaged in user testing. In contrast, the SAE DRM development process canrnbe seen as "the worst of times" where the publisher imposed a DRM on a userrngroup with no input and no user testing. While in both cases the DRM werernreconfigured after initial user reactions, the reconfiguration in the ARTstor casernwas relatively managed and positive in tone, and the reconfiguration in the SAErncase was chaotic and openly hostile. Differences in the co-construction of thernDRM can be explained in part by differences in publisher attitudes towardrnacademic libraries as customers, difference in the publishers' traditionalrnbusiness models, and differences in ownership of the content within the tworndigital libraries.
机译：本文探讨了通过纵向社会过程在知识产权的所有者和用户之间共建许可数字资源的访问和使用权的过程。它描述了在两个数字学术资源–汽车工程师协会（SAE）–数字图书馆和ARTstor –上开发数字版权管理（DRM）技术的共同构建过程。在供应商积极寻求利益相关者的投入并参与用户测试的过程中，ARTstor DRM开发过程可被视为“最佳时期”。相反，SAE DRM开发过程可被视为“最坏的情况”，其中发布者将DRM施加到没有输入且没有用户测试的用户组上。在这两种情况下，DRM在最初的用户反应后都被重新配置，而ARTstor案例中的重新配置相对管理得当，且语调积极，而SAErncase中的重新配置则混乱且公开敌视。在DRM的共建方面的差异可以部分解释为出版商对待作为客户的Rnacademic库的态度的差异，出版商传统业务模型的差异以及两个数字图书馆中内容的所有权差异。

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