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Innovation in the current floor plan: zoning in blocks of flats for the middle class in the first half of the 20th century

机译:当前平面图的创新:20世纪上半叶中产阶级公寓区划

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In Nouvelles Impressions d'Architecture, Libeskind (1998) writes "When architecture no longer deals with Space, all transactions, in which the container and the contained twisted together [...] have come to an end". A systemic analysis can be performed morphologically, functionally or dynamically. The connection between the appearance and the generation of the form, human perception and experience, the processional nature of any system, is considered. The buildings of the Modern avant-garde were raised during a very short time span of 20 years, sometimes just 10 years, in several different parallel, coexisting styles, also coexisting with the newest developments in music, arts, physics, philosophy, economic and social theory and industrialization. One of the nuclei of the movement was built by the housing program, particularly suitable to foster innovation. While in more industrialized countries, ways to solve social problems were sought, in the other European countries the new possibilities were seen as an opportunity to give a more prosperous image to cities, by raising density with blocks of flats for the middle class. This study will concentrate on European features of building stock that have not been covered by previous studies, namely the spatio-functional research of the interior organization of the dwelling in the blocks of flats for the middle class. The study proposes a heterogeneous model in which a zone has a unique function instead of a unique vocation. Zoning results as a structural product in the superposition and interpenetration of textures (sub-systems of the life-frame elements able to respond to the functionally requested situation) of morphologic elements, thanks to the co-operation process of human activities. There is a complex zoning with operational and organizational value. The following case studies will be considered: Milan 1920-1940, Bucharest 1920-1940 and Athens 1919-1939; forerunners of and avant-garde in Budapest 1896-1939.
机译:Libeskind(1998)在《建筑风格的印象》中写道:“当建筑不再处理空间时,所有将容器和包含在一起的容器扭曲在一起的交易都将结束。可以进行形态,功能或动态的系统分析。外观与形式的产生,人类的感知和经验以及任何系统的游行性质之间的联系都被考虑在内。现代前卫的建筑是在短短20年(有时只有10年)内以几种不同的平行,共存的风格兴建起来的,还与音乐,艺术,物理学,哲学,经济和社会发展方面的最新发展并存。社会理论与工业化。该运动的核心之一是通过住房计划建造的,特别适合促进创新。在工业化程度较高的国家中,人们寻求解决社会问题的方法,而在其他欧洲国家中,新的可能性被视为通过增加中产阶级公寓楼的密度来为城市提供更繁荣的形象的机会。这项研究将集中于以前的研究未涵盖的欧洲建筑材料特征,即针对中产阶级的公寓楼内部结构的时空功能研究。该研究提出了一种异构模型,其中区域具有独特的功能而不是独特的职业。分区的结果是形态元素的纹理(生命帧元素的子系统可以响应功能要求的情况)的叠加和互穿,这归功于人类活动的合作过程。有一个具有运营和组织价值的复杂分区。将考虑以下案例研究:米兰1920-1940,布加勒斯特1920-1940和雅典1919-1939;布达佩斯前卫和前卫1896-1939年。

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