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The green hills of rubble in black and white

机译：黑色和白色的瓦砾绿色山丘

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When Edmund, the child star of Germania Anno Zero, crosses VoBstrasse to sell the faded relics to American soldiers visiting the ruined building of the new Reich Chancellery in the summer of 1948, the area around Potsdamer Platz, though still recognizable, is invaded by debris caused by the destruction of Allied bombing and all shots and tracking shots that Roberto Rossellini has handed down of the German capital are packed with these materials: ruins and rubble. Almost forty years later, Cassiel, an angel from Der Himmel iiber Berlin by Wim Wenders, accompanying the elderly poet who is unsuccessfully looking for Potsdamer Platz, crosses a vacant lot overgrown only by the fateful wall -that here saw its first line drawn on the ground - and a flyover. Where did the debris and the ruins of Berlin get to in the forty years that separate the two films? Potsdamer Platz where is it? Is it still possible that traces of the lost capital can be found anywhere and that pieces and fragments of the ruins as well have given, in spite of themselves, a new face to the geography of Berlin today? From these questions and from the story of the German mountains of debris, known as Trummerbergen, was conceived the topic for the research "Ruins, rubble and debris of the theaters of war: the problems of decontamination and disposal to the configuration of new landscapes", that has been carried out by the research unit of the IUAV Architecture, Archaeology, landscape: theaters of war. The first results of such research will only be available in a year. Meanwhile, in this brief essay I'll try to reconnect the threads of a story, also partially known, to explain the architectural interest of the topic.
机译：1948年夏，当日耳曼尼亚·安诺零星的童星埃德蒙（Edmund）越过VoBstrasse卖掉褪色的文物给美国士兵参观新帝国总理府被毁的建筑物时，波茨坦广场附近的区域虽然仍然可以辨认，但仍然被碎片入侵。罗伯托·罗塞里尼（Roberto Rossellini）向德国首都交付的炸弹和盟军炸弹遭到破坏，以及造成的所有镜头和跟踪镜头都充满了这些材料：废墟和瓦砾。大约四十年后，由Wim Wenders先生从柏林希默尔伯尔（Der Himmel iiber Berlin）的天使卡西尔（Cassiel）陪伴未能成功寻找波茨坦广场（Potsdamer Platz）的老年诗人，穿越了一个只被命运之墙长满的空置地，在这里看到了第一条线地面-天桥。在将这两部电影分开的四十年中，柏林的碎片和遗迹到哪里去了？波茨坦广场在哪里？仍然有可能在任何地方都可以找到丢失的首都的痕迹，而废墟的碎片和碎片尽管赋予了它们自己，却给当今的柏林地理带来了新的面貌？从这些问题和德国特鲁姆博根山的碎片故事中，我们想到了“战区的废墟，瓦砾和碎片：净化和处置新景观的问题”的研究主题。 ，由IUAV建筑学，考古学，景观：战区研究部门完成。此类研究的最初结果将仅在一年内提供。同时，在这篇简短的文章中，我将尝试重新连接故事的主题（也被部分了解），以解释该主题的体系结构兴趣。

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