声明
摘要
Contents
Introduction
Chapter One Background of Xu Fen’s Adaption of Desire under the Elms
1．1 Reception of Eugene O’Neill’s Works in China
1．2 Factors Influencing the Adaption
1．3 Reception of Xu Fen’s Yu Hai Kuang Chao
Chapter Two The Cultural Significance in Drama Adaption
2．1 Operating System of Cross-Cultural Adaption
2．2 Possibilities of Cross-Cultural Adaption
2．3 Importance of Cross-Cultural Adaption
Chapter Three Differences of the Two Versions of Desire under the Elms
3．1 Differences in Script
3．2 Differences in Stage Performance
3．3 Differences in Stage Setting
3．4 Differences in Literary Tradition
Chapter Four Cultural Account for the Differences
4．1 Cultural Differenees from the Inside of the Drama
4．2 Cultural Differences from the Outside of the Drama
Conclusion
Bibliography
Acknowledgements
个人简历
