摘要
Abstract
Contents
Introduction
Chapter One Historiographic Metafiction as a Critical Threshold
Parody and the Juxtaposition of Historical Contexts
Chapter Two Parodies in The Hours
The Party in The Hours
The Remold Image of Mrs．Dalloway
Chapter Three Women in the Juxtaposition of Different Historical Contexts
Failed Writer—Mrs．Woolf
Unhappy Housewife—Mrs．Brown
Misfitting Lesbian—Mrs．Dalloway
Conclusion
Works Cited
Acknowledgements
声明
