Writing music: Jazz in twentieth-century American poetry.

机译：创作音乐：20世纪美国诗歌中的爵士乐。

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This thesis is a study of the relationship between poetry and jazz music from the 1900s to the present. It attempts to discover how the two art forms intertwined in America's popular culture while subverting the popular culture with covert social commentary. By examining the development of jazz music from its roots in blues, to swing, bebop, free jazz and finally into hip hop, in relation to the work of the poets Paul Lawrence Dunbar, Langston Hughes, Allen Ginsberg, and Amiri Baraka, this thesis finds a correlation between the arts in their use of invention, revision and reinterpretation. The thesis concludes that jazz poetry illuminates jazz's implied social critique through written text.

机译：本文是对1900年代至今诗歌与爵士音乐之间关系的研究。它试图发现两种艺术形式如何与美国的流行文化交织在一起，同时用隐蔽的社会评论来颠覆流行文化。通过考察爵士音乐从蓝调，摇摆，波普，自由爵士到最终成为嘻哈音乐的发展，与诗人保罗·劳伦斯·邓巴，兰斯顿·休斯，艾伦·金斯伯格和阿米里·巴拉卡的作品有关，本论文在发明，修订和重新解释的使用中发现了艺术之间的关联。本文的结论是，爵士诗歌通过书面文本阐明了爵士的隐含社会批判。

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作者
Gibson, Ezra M.;
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作者单位

University of Alaska Anchorage.;

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授予单位 University of Alaska Anchorage.;
学科 Literature Modern.; Literature American.
学位 M.A.
年度 2007
页码 104 p.
总页数 104
原文格式 PDF
正文语种 eng
中图分类世界文学;
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Writing music: Jazz in twentieth-century American poetry.

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