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W. C. Handy's contribution to African American solo vocal concert music.

机译：W. C. Handy对非洲裔美国人独唱音乐会音乐的贡献。

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William Christopher "W. C." Handy (1873-1958) was a cornetist and bandleader, who introduced to the world the art form that came to be known as the blues. He did not invent this art form, but commercialized it. These songs were the secular music of southern, rural African Americans, reflecting their day-to-day struggles of survival and negotiations of life's ups and downs. Handy was a businessman, who, with partner Harry H. Pace (1884-1943), founded Pace and Handy Publishing Company, incorporating in 1915 in Memphis. After the dissolution of their partnership in 1920, Handy, by now in New York, formed Handy Brothers Music Company, Inc., deriving profits from the publishing and sales of popular music.;Handy's musical interests were broader than the art form for which he was known. In addition to blues songs, he also composed art songs, arranged spirituals for solo voice and chorus, and wrote Blue Destiny, a symphony, based on blues themes, a portion of which was performed by the Cleveland Orchestra in 1947. Handy published art songs and spiritual arrangements by African American composers, as well as white composers, providing opportunities for some who had few outlets for their works to be printed and distributed.;This dissertation examines Handy's involvement in the larger musical arena---with academics, musical theater composers, classical composers and performers, and those involved in every strata of the music business. Handy used his considerable influence to provide opportunities for composers and performers, especially those of color, to aid in the propelling of their careers at a time when many doors were closed.;The document also exposes selected art songs and spiritual arrangements (all Handy publications) of six composers---Margaret Bonds, Lillian Evanti, W. C. Handy, Herbert Melts, Florence B. Price, and William Grant Still. In addition to composer profiles and song analyses, each piece is discussed in terms of its compliance with ideals and sensibilities of the Harlem Renaissance or Chicago Renaissance. Songs are also evaluated in terms of learning opportunities offered to the student of singing.

机译：威廉·克里斯托弗“ W. C.”汉迪（Handy，1873-1958）是一位鼓手和乐队带头人，他向世界介绍了后来被称为布鲁斯的艺术形式。他没有发明这种艺术形式，而是将其商业化。这些歌曲是南部农村非洲裔美国人的世俗音乐，反映了他们每天的生存斗争和人生坎negotiations的谈判。汉迪是一位商人，他与合伙人哈里·佩斯（Harry H. Pace，1884-1943年）共同创立了佩斯和汉迪出版公司，并于1915年在孟菲斯成立。在1920年合伙关系解散后，现在在纽约的Handy成立了Handy Brothers Music Company，Inc.，从流行音乐的发行和销售中获利。Handy的音乐兴趣远大于他所追求的艺术形式已经知道的。除了布鲁斯歌曲，他还创作艺术歌曲，安排独奏和合唱的灵性，并根据布鲁斯主题创作了交响乐《蓝色命运》，其中一部分由克里夫兰乐团在1947年进行。非裔美国作曲家以及白人作曲家的精神安排，为一些几乎没有印刷品发行渠道的人提供了机会。本论文考察了汉迪在学术界，音乐剧场等更大音乐领域的参与作曲家，古典作曲家和表演者，以及涉及音乐业务各个层面的人。 Handy发挥了巨大的影响力，为作曲家和表演者（尤其是有色人种）提供了机会，以帮助他们在许多门关门时推动其事业发展;该文件还展示了精选的艺术歌曲和精神安排（所有Handy出版物））六位作曲家-玛格丽特·邦兹，莉莲·埃万蒂，WC·汉迪，赫伯特·梅尔特斯，佛罗伦萨·普莱斯和威廉·格兰特·斯蒂尔。除了作曲家简介和歌曲分析之外，还将讨论每首作品是否符合哈林文艺复兴时期或芝加哥文艺复兴时期的理想和敏感性。还根据向歌唱学生提供的学习机会来评估歌曲。

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Thompson, Marilyn Angela.;
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Teachers College, Columbia University.;

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授予单位 Teachers College, Columbia University.;
学科 Music.;History Black.;Biography.
学位 Ed.D.
年度 2007
页码 191 p.
总页数 191
原文格式 PDF
正文语种 eng
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W. C. Handy's contribution to African American solo vocal concert music.

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