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Female Book Owners in the Valois Courts, 1350--1550: Devotional Manuscripts as Vehicles for Self-Definition.

机译:瓦卢瓦法院女书主,1350--1550年:灵修手稿作为自定义工具。

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摘要

An examination of the books owned by noblewomen from the Valois courts reveals how significantly they contributed to the cultural and spiritual character of the period. They were responsible for commissioning a vast number of manuscripts, some of which were aesthetically equal to the books made for the dukes and kings. In fact, certain manuscripts now considered the most lavish and important from this period belonged to women. These women often married into noble families from regions far from their native lands. When they arrived at their new homes, they brought their own customs, knowledge of artistic styles, and aesthetic sensibilities, which affected book production in western Europe. Appendices 1--7 show the complexity of relationships between nobles from Burgundy, France, Spain and England for eleven generations, and include all of the individuals discussed in this dissertation. These charts reveal the matrilineal connections between generations and include many women who do not appear on ancestral charts in other studies of the late medieval nobility in northern Europe. As demonstrated in the charts, marriages could result in the solidification of certain regions within a generation, causing genealogical ramifications in subsequent generations. This ancestral web shows the mobility of women in western Europe in the late Middle Ages, resulting in their desire to preserve some of their childhood traditions through commissions of devotional manuscripts.;This interactive nature of manuscripts and the multiple ways in which they were used by women of the Valois courts is central to this study. I adhere to the idea that devotional manuscripts used by these women must be studied within the context for which they were made and in which they were used. At first glance, devotional manuscripts appear to be just that, books of prayers. On further examination, it is clear that they were multifunctional and could express issues that applied to many aspects of a noblewoman's life. This dissertation considers book collections of late medieval noblewomen and the ways in which they used their private devotional manuscripts as vehicles for self-definition, in order to preserve the devotional and cultural traditions of their families.
机译:对瓦卢瓦宫廷的贵妇所拥有的书籍进行的检查显示,它们对这一时期的文化和精神特征做出了重大贡献。他们负责委托撰写大量手稿,其中一些手稿在美学上等同于为公爵和国王编写的书。实际上,某些被认为是这一时期最豪华和重要的手稿是女性的。这些妇女通常在远离自己祖国的地区结婚,成为贵族家庭。当他们到达新家时,他们带来了自己的习俗,艺术风格知识和审美敏感性,从而影响了西欧的图书生产。附录1--7显示了来自勃艮第,法国,西班牙和英格兰的贵族之间十一代人之间关系的复杂性,并包括了本文中讨论的所有个人。这些图表揭示了几代人之间的母系联系,其中包括许多在北欧晚期中世纪贵族的其他研究中未出现在祖先图表上的妇女。如图所示,婚姻可能会导致一代人中某些区域的巩固,并在后代中产生族谱后果。该祖传网展示了中世纪晚期西欧妇女的流动性,从而导致她们渴望通过奉献手稿来保留某些童年传统。;手稿的这种互动性以及被她们使用的多种方式瓦卢瓦法院的女性对此研究至关重要。我坚持这样的思想,即必须在制作这些妇女和使用它们的背景下研究这些妇女使用的灵修手稿。乍一看,虔诚的手稿似乎就是祈祷之书。在进一步检查中,很明显它们是多功能的,可以表达适用于贵族生活中许多方面的问题。本文考虑了中世纪晚期贵妇的书籍收藏,以及他们如何使用私人灵修手稿作为自定义工具,以保留其家庭的灵修和文化传统。

著录项

  • 作者

    Hand, Joni M.;

  • 作者单位

    City University of New York.;

  • 授予单位 City University of New York.;
  • 学科 Religion History of.;History Medieval.;Gender Studies.;Womens Studies.;Art History.
  • 学位 Ph.D.
  • 年度 2010
  • 页码 330 p.
  • 总页数 330
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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