首页> 外文学位 >Concrete utopia: History and labor in the German Communist novel (Eduard Claudius, Anna Seghers, Brigitte Reimann).
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Concrete utopia: History and labor in the German Communist novel (Eduard Claudius, Anna Seghers, Brigitte Reimann).

机译:具体的乌托邦:德国共产主义小说(爱德华·克劳迪乌斯,安娜·西格斯,布里吉特·赖曼)的历史和劳动。

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摘要

Examining the development of German Communist novels from the late Weimar Republic through the early literature of the German Democratic Republic, my dissertation aims at understanding what these novels have to tell us about the structures of feeling of the twentieth century German workers' movement. Thus, the major focus of my dissertation is to explicate, historically and socially, the affective language of these novels. Echoing Ernst Bloch, my title suggests the utopian potentials embedded in the daily life of the working class, the latent collective horizon concealed beneath capitalist modernity, and the emancipatory promises of socialism, with its claims for solidarity, mutual aid, and self-development. At the same time, following Fredric Jameson's observation that every utopian discourse is to some degree dependent on the particular historical traumas of the group from which it emerges, I will focus on how this attempt, as it unfolds in the narratives of German Communism, embeds this utopian horizon in the failures, traumas, and disasters with which the building of socialism was inextricably entangled in the fraught period between 1918 to 1990. This concretely utopian representational schema is one that struggles to contain the traumas inscribed within it. The socialist literary tradition, formerly conceived of as a heroic continuity in East German literary critical discourse, is ruptured at its outset by historical trauma. The structures of feeling that emerge from these novels are based in the proletarian experience of modernity derived from the political defeats and the economic and social desperation of the Weimar Republic, as well as from the catastrophic experience of fascism and exile. The discussion of Brigitte Reimann's work demonstrates the long shadow that writers socialized in the struggles of the Weimar Republic cast over the GDR, with their mythologized saga of exile and return. In the postwar period, the GDR is explicitly figured in its literature as the redemption of the proletarian anti-Heimat of the Weimar Republic, as a socialist homeland, based on collective labor and mutual dependence. At the same time, narratives the GDR as a socialist homeland are repeatedly breached by the eruption of historical trauma.
机译:从魏玛共和国后期到德意志民主共和国的早期文学作品,对德国共产主义小说的发展进行了考察,我的论文旨在了解这些小说对二十世纪德国工人运动的情感结构有何启示。因此,我论文的主要重点是在历史和社会上阐释这些小说的情感语言。呼应恩斯特·布洛赫(Ernst Bloch),我的标题暗示了工人阶级日常生活中蕴藏的乌托邦潜力,隐藏在资本主义现代性之下的潜在集体视野以及对团结,互助和自我发展的要求的对社会主义的解放承诺。同时,在弗雷德里克·詹姆森(Fredric Jameson)观察到每一个乌托邦话语都在某种程度上取决于其产生的群体的特定历史创伤之后,我将着重探讨这种尝试在德国共产主义叙事中的体现是如何嵌入的。在失败,创伤和灾难中的这种乌托邦式的视野,在1918年至1990年的紧张时期中,社会主义的建设被密不可分地纠缠在一起。这种具体的乌托邦式的代表性图式正在努力地遏制其中刻画的创伤。社会主义文学传统,以前被认为是东德文学批评话语中的英雄连续性,但由于历史创伤一开始就破裂了。这些小说产生的情感结构基于无产阶级的现代性经验,这种经验来源于魏玛共和国的政治失败,经济和社会的绝望,以及法西斯主义和流放的灾难性经验。 Brigitte Reimann作品的讨论表明,作家在魏玛共和国对东德的斗争中社交化的漫长阴影,以及神话般的流放与回归传奇。在战后时期,GDR在其文献中被明确地视为赎回了魏玛共和国的无产阶级反黑马特,作为基于集体劳动和相互依存的社会主义家园。同时,历史创伤的爆发一再破坏了民主德国作为社会主义家园的叙述。

著录项

  • 作者

    Bivens, Andrew Hunter.;

  • 作者单位

    The University of Chicago.;

  • 授予单位 The University of Chicago.;
  • 学科 Literature Germanic.
  • 学位 Ph.D.
  • 年度 2006
  • 页码 374 p.
  • 总页数 374
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 I516;
  • 关键词

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