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Innovation, artistes et managers: Ethnographie du Cirque du Soleil.

机译：创新，艺术家和管理者：太阳马戏团民族志。

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摘要

Considering that Canada only will be short nearly one million qualified workers in 2020 and that already in 2005, 40 to 60% of the workers belonging to the baby boomers generation are retiring, it is easy to forecast that the innovation capabilities of enterprises will soon become a development issue for society. Along with that, it has been noticed for a few years already that the relative value of knowledge and creativity in capitalist economies has increased, positioning the creation industries at the edge, in the forefront of the avant-garde. In fact, the artistic creation activities would epitomize the most advanced expression of new ways of production and the new employment relationships engendered by the recent mutations of capitalism. To learn to innovate thus becomes a priority and, as good practices emerge generally from the key leaders of an industry, the world's most applauded circus, the Cirque du Soleil, represents an ideal ground for practice renewal regarding innovation. More specifically, focusing specifically on the case of artistic innovation, this study shows how the interaction between managers and artists unfolded in this circus during the first phases of an architectural project which would lead to the construction of an arts, leisure and hospitality center, one of the enterprise key business units.;This thesis presents the results of a case-based research done in an emerging field of management studies: the flow between arts and management. From a multidisciplinary perspective involving an ethnographic methodology and an aesthetic approach of organizations, this research focuses on the co-creation of knowledge among artists and managers involved in a multi-million dollar project. The study addresses the problematic of innovation through management and artistic practices by drawing from organizational studies as well as from anthropology and sociology, to understand how these two distinct cultural groups work and learn in action and how their collective practices are created, shared and used. To give life to an ethnography which give access to these master-builders culture, imagination, way of life and practices, 26 artists and managers have been followed over a nine month period, more than 5500 pages of documents and 20 hours of video. The shared cognition between these actors from the circus arts creative industry is described through seven key practices (tribe, dialogue, story telling, innovation, action, rapport and memory) presented from a managerial perspective as well as from the human sciences. Apart from a methodology which integrates the aesthetical approach on organisations, a new definition of the hidden face of innovation is proposed, along with a conceptual dynamic model based on the Cirque du Soleil innovative practices. Creative and aesthetic, they are a source of inspiration for management. In this way, this research contributes to management studies and the development of creative management practices.;Key Words Innovation; arts and management; practices; aesthetics; circus; Cirque du Soleil.
机译：考虑到加拿大将在2020年短缺近100万合格工人，而在2005年，婴儿潮一代的工人已经退休了40％至60％，因此很容易预测企业的创新能力将很快成为现实。社会发展的问题。伴随着这一点，几年来已经注意到，知识和创造力在资本主义经济中的相对价值已经提高，从而将创造产业置于前沿的前沿。实际上，艺术创作活动将体现新的生产方式和最近的资本主义突变所产生的新的雇佣关系的最先进表达。因此，学习创新成为当务之急，随着良好实践从行业的主要领导者中普遍涌现，世界上最受赞赏的马戏团太阳马戏团（Cirque du Soleil）代表了创新实践更新的理想基础。更具体地说，本研究专门针对艺术创新的案例，显示了在建筑项目的第一阶段，管理者和艺术家之间的互动是如何在马戏团中展开的，这将导致艺术，休闲和接待中心的建设。本文主要介绍在管理研究的新兴领域进行的基于案例研究的结果：艺术与管理之间的关系。从涉及人种学方法论和组织美学方法的多学科视角，本研究着重于参与数百万美元项目的艺术家和管理人员之间知识的共同创造。该研究通过组织研究以及人类学和社会学的研究，通过管理和艺术实践来解决创新问题，以了解这两个截然不同的文化群体如何在工作中学习和实践，以及如何创建，共享和使用他们的集体实践。为了使民族志的生活更加生动，这些民族志的建设者可以接触到这些大师建造者的文化，想象力，生活方式和实践，在接下来的9个月中，共跟踪了26位艺术家和管理人员，5500多页文件和20个小时的视频。这些角色在马戏艺术创意产业中的共同认知是通过从管理角度以及人文科学角度提出的七个关键实践（部落，对话，讲故事，创新，行动，融洽和记忆）来描述的。除了将美学方法整合到组织中的方法论之外，还提出了对创新隐藏面的新定义，以及基于太阳剧团创新实践的概念动态模型。创意和美学是管理灵感的源泉。这样，本研究有助于管理研究和创造性管理实践的发展。艺术与管理；做法；美学;马戏团;太阳马戏团。

著录项

  • 作者

    Mahy, Isabelle.;

  • 作者单位

    Universite de Montreal (Canada).;

  • 授予单位 Universite de Montreal (Canada).;
  • 学科 Business Administration Management.;Theater.
  • 学位 Ph.D.
  • 年度 2006
  • 页码 466 p.
  • 总页数 466
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 贸易经济;公共建筑;
  • 关键词

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