• 主题
高级搜索  >
历史搜索 清空历史
首页> 外文学位 >Rethinking repetition: Constructing value in Dutch genre painting, 1650s to 1670s.
【24h】

Rethinking repetition: Constructing value in Dutch genre painting, 1650s to 1670s.

机译：重新思考重复：在1650到1670年代的荷兰风格绘画中创造价值。

获取原文
获取原文并翻译 | 示例
页面导航
  • 摘要
  • 著录项
  • 相似文献
  • 相关主题

摘要

In the third quarter of the seventeenth century, a number of Dutch painters specialized in producing finely crafted genre paintings. A prevalent feature of their work that has not been satisfactorily accounted for is the recurrence of motifs distinctive to individual painters. With Gerrit Dou, Gerard ter Borch, and Frans van Mieris as the primary case studies, this dissertation challenges the current view that repetition was a cost-saving strategy in the mass market for cheap paintings. Instead, it argues that repetition was a means of constructing value in paintings.;This dissertation integrates previously separate areas of research in the history of Dutch art, including the economics of the art market, the history of collecting, the vernacular discourse of painting, and the material aspects of art making. The works of Dou and Ter Borch serve as focal points for examining the intersections between the artists' inventive processes and the conditions of consumption. A recurring signature motif---Dou's window embrasure or Ter Borch's woman in satin---helped an artist project a distinctive artistic identity, drawing attention to subtle variations in his virtuosic execution. It also offered an occasion for the viewers to display their knowledge about fashionable or canonical painters, thus adding social and cultural value to the painting. This specific role played by paintings in social negotiations was exploited by artists in the 1660s and 1670s, such as Van Mieris. By citing as well as reinterpreting the imagery of Dou and Ter Borch, Van Mieris encouraged viewers to compare his creation with his models and accentuated his own skill and inventiveness.;Through an examination of the phenomenon of repetitive imagery in high-value genre paintings, this dissertation concludes that judicious use of repetition could underscore the singular achievements of an artist. The project of rethinking repetition thus provokes the reconsideration of the notions of authorship, originality, imitation, and their connections to value in early modern artistic practice.
机译：在十七世纪的第三季度，许多荷兰画家专门从事制作精美的体裁画。尚未令人满意地说明其作品的普遍特征是个别画家独有的图案再现。本文以Gerrit Dou，Gerard ter Borch和Frans van Mieris作为主要案例研究，对当前的观点提出质疑，即重复在廉价绘画大众市场上是一种节省成本的策略，这一观点提出了挑战。相反，它认为重复是在绘画中创造价值的一种手段。本文将荷兰艺术史上先前独立的研究领域整合在一起，包括艺术市场经济学，收藏史，白话语，以及艺术创作的物质方面。 Dou和Ter Borch的作品是研究艺术家的创作过程和消费条件之间的交汇点的焦点。反复出现的签名图案-杜（Dou）的窗玻璃窗或Ter Borch的缎纹女人--帮助艺术家投射出独特的艺术身份，引起人们对他艺术演奏中微妙变化的注意。它也为观看者提供了一个展示他们对时尚或规范画家的知识的机会，从而为绘画增加了社会和文化价值。绘画在社会谈判中发挥的特定作用被16世纪60年代和1670年代的艺术家，例如范·米里斯（Van Mieris）所利用。通过引用并重新诠释道和博尔（Dor Borch）的图像，范·米耶里斯（Van Mieris）鼓励观众将他的创作与他的模型进行比较，并强调他自己的技巧和创造力。本文的结论是，明智地使用重复可以强调艺术家的独特成就。因此，重新思考重复的项目引起了对作者身份，独创性，模仿及其在早期现代艺术实践中与价值的联系的观念的重新考虑。

著录项

  • 作者

    Ho, Angela Ka Yan.;

  • 作者单位

    University of Michigan.;

  • 授予单位 University of Michigan.;
  • 学科 Art History.
  • 学位 Ph.D.
  • 年度 2007
  • 页码 350 p.
  • 总页数 350
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

相似文献

  • 外文文献
  • 中文文献
  • 专利
获取原文

客服邮箱：kefu@zhangqiaokeyan.com

京公网安备：11010802029741号 ICP备案号：京ICP备15016152号-6 六维联合信息科技 (北京) 有限公司©版权所有

  • 客服微信

  • 服务号