• 主题
高级搜索  >
历史搜索 清空历史
首页> 外文学位 >Rethinking the reinstallation of the studiolo of Francesco I de' Medici in the Palazzo Vecchio.
【24h】

Rethinking the reinstallation of the studiolo of Francesco I de' Medici in the Palazzo Vecchio.

机译：重新思考旧宫的弗朗切斯科一世·梅迪奇手风琴的重新安装。

获取原文
获取原文并翻译 | 示例
页面导航
  • 摘要
  • 著录项
  • 相似文献
  • 相关主题

摘要

The Studiolo of Francesco I in the Palazzo Vecchio is a testament to the changing styles at the end of the Cinquecento, and has been called a perfect example of Mannerist art. This dissertation considers the original invenzione of the Studiolo as intended by Don Vincenzo Borghini and Giorgio Vasari, and provides compelling new evidence to challenge the current re-installation of the room.;Dismantled prior to Francesco's death in 1587, the Studiolo was rediscovered and renovated more than three hundred years later by Giovanni Poggi and Alfredo Lensi. In 1976, Scott Schaefer became the first scholar to question Poggi's and Lensi's installation. Critical thinking regarding the Studiolo changed five years later with Michael Rinehart's discovery of additional notes written by Borghini, who devised the room's visual program in 1570. The recent exhibition, Magnificenza! The Medici, Michelangelo, and the Art of Late Renaissance Florence, has once again renewed interest in the small room. One of the exhibition's curators, Larry Feinberg, has offered an alternative rearrangement of the Studiolo 's works, based on Rinehart's findings. Despite these attempts, aspects of the original invenzione have been overlooked, including the importance of thematic relationships, the influence of Ovid's Metamorphoses, and Copernicus' De Revolutionibus Orbium Coelestium. .;This dissertation concentrates on the correlation between the Studiolo's iconography and the theme of the four elements. The analysis offers a new arrangement of the room based on reinterpretations of its small end walls. Moreover, these findings provide insight into the diverse array of artists working on the commission, as well as Borghini's and Vasari's collective vision for Francesco's Studiolo..
机译：韦基奥宫的弗朗切斯科一世工作室录音室证明了五渔村结束时不断变化的风格，并被称为风格主义艺术的完美典范。本文考虑了Don Vincenzo Borghini和Giorgio Vasari意图使用的Studiolo的原始发明，并提供了令人信服的新证据来挑战当前的房间重新安装。;在Francesco于1587年去世之前被拆除，Studiolo被重新发现和翻新超过三百年后的乔瓦尼·波吉（Giovanni Poggi）和阿尔弗雷多·伦西（Alfredo Lensi）。 1976年，斯科特·舍费尔（Scott Schaefer）成为第一个质疑Poggi和Lensi装置的学者。五年后，迈克尔·雷纳哈特（Michael Rinehart）发现了由博尔吉尼（Borghini）所写的其他音符，从而对Studiolo的批判性思维发生了变化。博尔吉尼于1570年设计了该房间的视觉程序。美第奇家族，米开朗基罗和佛罗伦萨后期文艺复兴时期，再次引起人们对小房间的兴趣。展览的策展人之一拉里·费恩伯格（Larry Feinberg）根据Rinehart的发现对Studiolo的作品进行了另一种重新安排。尽管进行了这些尝试，但原始invenzione的各个方面都被忽略了，包括主题关系的重要性，Ovid的“变形”的影响以及哥白尼的“ De Revolutionibus Orbium Coelestium”。 。;本文主要研究Studiolo的肖像与这四个元素的主题之间的相关性。根据对小端墙的重新解释，分析结果为房间提供了新的布置。此外，这些发现提供了对从事委员会工作的各种艺术家的洞察力，以及博尔吉尼和瓦萨里对弗朗切斯科的Studiolo的集体愿景。

著录项

  • 作者

    Edwards, Karen Victoria.;

  • 作者单位

    Case Western Reserve University.;

  • 授予单位 Case Western Reserve University.;
  • 学科 Art history.
  • 学位 Ph.D.
  • 年度 2007
  • 页码 327 p.
  • 总页数 327
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

  • 入库时间 2022-08-17 11:40:08

相似文献

  • 外文文献
  • 中文文献
  • 专利
获取原文

客服邮箱：kefu@zhangqiaokeyan.com

京公网安备：11010802029741号 ICP备案号：京ICP备15016152号-6 六维联合信息科技 (北京) 有限公司©版权所有

  • 客服微信

  • 服务号