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Sculpting Turkish nationalism: Ataturk monuments in early republican turkey

机译:雕刻土耳其民族主义:早期共和土耳其的阿塔图尔克纪念碑

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摘要

Today every city and town in Turkey has at least one monument of Mustafa Kemal Ataturk (1881-1938), the founding father of the Turkish Republic, located in one of its most important public spaces. All private and state primary, middle and high schools have at least one bust of him in front of which students have to line up every Monday morning and Friday evening to chant the national anthem. Apart from statues and busts, his portraits and pictures are hung in every office in state buildings and in most private offices. His name has been bestowed upon boulevards, parks, stadiums, concert halls, bridges, forests, and, more importantly, on educational institutions. Among these many public expressions, the monumental statues of Ataturk erected before he died exemplify one of the most effective instruments of the elite-driven modernization in early republican Turkey (1923-1938). These monuments reveal the ways in which Ataturk and his political elites attempted to establish a modern and secular sense of identity as well as a new official public culture and official history, mainly constructed through Ataturk's Nutuk, the speech which he delivered in 1927. Nutuk was Ataturk's public defense of his policies during the military and diplomatic struggle for independence in Anatolia between 1919 and 1923. It has not only become a remarkable and extremely influential text both in Turkish and foreign historiographies but also has been the source for visualizing the official interpretation of the struggle for independence in Turkey to the present day. Thus, all the monuments of the early Republic stand for such orthodox interpretations of history, emerging defensive Turkish nationalism and national identity while symbolizing the closure of the predating Ottoman Empire. Codified within this new national identity are the elements of secularization and racial homogenization of the society, a western cult of the "Orient" in the Orient, and an effort to control and limit the cultural and religious hegemony of Islam in the official public culture of early republican Turkey.
机译:今天,土耳其的每个城镇都有至少一个穆斯塔法·凯末尔·阿塔图尔克(Mustafa Kemal Ataturk,1881-1938年)纪念碑,这是土耳其共和国的开国元勋,坐落在土耳其最重要的公共场所之一。所有私立和州立小学,初中和高中都至少有他的半身像,在每个学生的面前,学生们必须在每个星期一早上和星期五晚上排队,以颂唱国歌。除了雕像和半身像外,他的肖像和照片还挂在国家建筑物的每个办公室和大多数私人办公室中。他的名字曾被授予林荫大道,公园,体育馆,音乐厅,桥梁,森林,更重要的是在教育机构上。在众多公开表达中,阿塔图尔克去世前竖立的纪念性雕像,是共和早期土耳其(1923-1938)精英驱动的现代化最有效的手段之一。这些纪念碑揭示了阿塔图尔克和他的政治精英试图建立现代和世俗的认同感以及新的官方公​​共文化和官方历史的方式,这些方式主要是通过阿塔图尔克的《努图克》(他在1927年发表的讲话)而建立的。阿塔图尔克在1919年至1923年间在安纳托利亚进行军事和外交争取独立的斗争中对其政策的公共辩护。它不仅在土耳其和外国史学中成为了引人注目的且极有影响力的文本,而且还是可视化官方解释的来源。争取土耳其独立的斗争至今。因此,共和国早期的所有纪念碑都代表着对历史的正统解释,新兴的防御性土耳其民族主义和民族身份,同时象征着掠夺性的奥斯曼帝国的关闭。在这个新的民族身份中,社会的世俗化和种族同化,东方的西方“东方”崇拜以及在伊斯兰教的官方公共文化中控制和限制伊斯兰教的文化和宗教霸权的努力被编纂为法律。早期的共和土耳其。

著录项

  • 作者

    Gur, Faik.;

  • 作者单位

    The University of Texas at Austin.;

  • 授予单位 The University of Texas at Austin.;
  • 学科 Middle Eastern history.
  • 学位 Ph.D.
  • 年度 2006
  • 页码 213 p.
  • 总页数 213
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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