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首页> 外文学位 >Allusive mechanics in modern and postmodern fiction as suggested by James Joyce in his novel 'Dubliners' (Ireland).
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Allusive mechanics in modern and postmodern fiction as suggested by James Joyce in his novel 'Dubliners' (Ireland).

机译：詹姆斯·乔伊斯（James Joyce）在他的小说“都柏林人”（爱尔兰）中提出的现代和后现代小说中的寓言机制。

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摘要

James Joyce in his novel Dubliners conducts a series of narrative experiments with allusion, and in doing so suggests a new literary criticism based upon the allusive process. This new criticism of allusive mechanics considers the text in terms of its allusive potential for character---that is, the character is treated as capable of signification. Because Joyce can mimic the process of signification, it repositions the author to the act of writing and the reader to the act of reading. Character is greatly expanded through allusive mechanics because narrative elements like allusion in a text are treated as having a character-oriented value, thus repositioning the reader to both character and the text, enriching the entire reading experience.; As a mode of interpretation, allusive mechanics organizes a text from the point of view of character. In Joyce's "The Dead" allusive mechanics reveals that Gabriel Conroy, emerging from loneliness and self-absorption, can use allusion as a vehicle to understand and value the people and the world around him; in effect, to manage his own mind. In Melville's "Benito Cereno" allusive mechanics focuses on the judgment of Amasa Delano and his personal allusion of blackness and the role they play in the formation and maintenance of slavery. In Cather's The Song of the Lark allusive mechanics reveals how Thea Kronborg uses the unifying power of allusion to bring together the people and places into the creation of art, allusion being a container. In Fauset's Plum Bun allusive mechanics traces how Angela Murray uses the allusion of blackness to first "pass" as white and then construct a viable identity in a racist, class-conscious, and gender-based world. Finally, in Pynchon's The Crying of Lot 49 allusive mechanics reveals how the allusive process and the act of reading can become pitfalls of thought, imprisoning readers within the act of signification.
机译：詹姆斯·乔伊斯（James Joyce）在他的小说《都柏林人》中进行了一系列叙事实验，并以此暗示了基于叙事过程的新文学批评。这种对暗示机制的新批评是根据文本对角色的暗示潜力来考虑文本的，也就是说，该字符被视为具有表示意义的能力。因为乔伊斯可以模仿表示的过程，所以它将作者重新定位为写作行为，将读者重新定位为阅读行为。通过叙事机制极大地扩展了字符，因为文本中的诸如叙事之类的叙事元素被视为具有面向字符的价值，从而将读者重新定位于字符和文本，从而丰富了整个阅读体验。作为一种解释方式，典故机制从字符的角度组织文本。在乔伊斯（Joyce）的《死者》（Dead）中，寓言机制揭示了加布里埃尔·康罗伊（Gabriel Conroy）从孤独和自我吸收中脱颖而出，可以将其用作理解和珍视他周围的人和世界的工具。实际上，要管理自己的思想。在梅尔维尔（Melville）的《贝尼托·塞雷诺（Benito Cereno）》中，寓言力学着眼于Amasa Delano的判断以及他对黑人的暗指以及他们在奴隶制的形成和维持中的作用。在凯瑟的《百灵鸟之歌》中，寓言力学揭示了西娅·克伦堡是如何利用寓言的统一力量将人们和地方聚在一起创作艺术的，而寓言是一种容器。在Fauset的《李子包子》中，寓言机制追溯了安吉拉·穆雷（Angela Murray）如何利用黑色的寓言首先“通过”白色，然后在种族主义，具有阶级意识和性别基础的世界中构建了可行的身份。最后，在皮钦（Pynchon）的《哭泣的地段49》中，寓言力学揭示了寓言过程和阅读行为如何成为思想的陷阱，将读者囚禁在指称行为之内。

著录项

  • 作者

    Connor, Kynan D.;

  • 作者单位

    The University of Nebraska - Lincoln.;

  • 授予单位 The University of Nebraska - Lincoln.;
  • 学科 Literature Modern.; Literature Comparative.; Literature English.; Literature American.
  • 学位 Ph.D.
  • 年度 2006
  • 页码 183 p.
  • 总页数 183
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 世界文学;文学理论;
  • 关键词

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