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An annotated bibliography of Taiwanese piano music by selected composers born after 1950.

机译：1950年后出生的部分作曲家对台湾钢琴音乐的带注释的参考书目。

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摘要

This essay annotates the piano works of Taiwanese composers born after 1950. The change Taiwanese music underwent during the mid-twentieth century is comparable to a defined style change in Western music, and can be attributed to the country's substantial social, economic and political growth after 1945 (with the end of the Sino-Japanese War). These advancements encouraged the formation of music schools and vastly increased the educational and study opportunities for musicians of all levels, from elementary instruction to professional university training. In turn, the growing number of music programs has created an ongoing need for composers to produce educational teaching materials, and the university training has prepared young professional composers and performers for study abroad, all of which has increased the output and broadened the compositional style of contemporary Taiwanese music.; In Chapter 4, the composers appear chronologically, and their works are organized according to the composer. The music ranges in difficulty from the most elementary five finger position method materials to advanced performance literature with varying extremes of harmonic language, rhythmic treatment and compositional style. The bibliographic entries are presented clearly to denote level and technical features as a quick reference, in order to serve as a functional and efficient resource for teachers interested in expanding their teaching library, and for performers who are searching for a particular level and/or style of performance literature.; Most of the works included in this study are unpublished, but are available from the composers who can be contacted professionally through the current information given in each biographical sketch.
机译：本文注释了1950年后出生的台湾作曲家的钢琴作品。在20世纪中叶，台湾音乐的变化与西方音乐中确定的风格变化具有可比性，这可以归因于台湾在此之后的巨大的社会，经济和政治发展1945年（抗日战争结束）。这些进步促进了音乐学校的成立，并极大地增加了从基础教学到专业大学培训的各个层次的音乐家的教育和学习机会。反过来，音乐节目的数量不断增加，不断要求作曲家制作教学材料，而大学培训则为年轻的专业作曲家和表演者提供了出国留学的条件，所有这些都增加了作品的输出并扩大了作曲风格。当代台湾音乐。在第4章中，作曲家按时间顺序出现，并根据作曲家组织其作品。音乐的难度范围很广，从最基本的五指位置方法材料到高级演奏文献，包括和声语言，节奏处理和乐曲风格的极端变化。书目条目清楚地表示出来，以表示级别和技术特征，以供快速参考，以便为有兴趣扩展其教学库的教师以及正在寻求特定级别和/或风格的表演者提供实用且有效的资源表演文学。这项研究中包括的大多数作品尚未出版，但可以从作曲家那里获得，可以通过每个传记素描中提供的最新信息与专业作者联系。

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  • 作者

    Cheng, Ching-Ming.;

  • 作者单位

    University of Miami.;

  • 授予单位 University of Miami.;
  • 学科 Library Science.; Music.
  • 学位 D.M.A.
  • 年度 2006
  • 页码 177 p.
  • 总页数 177
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 图书馆学、图书馆事业;音乐;
  • 关键词

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