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首页> 外文学位 >From ephemeral to legitimate: An inquiry into television's material traces in archival spaces, 1950s--1970s.
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From ephemeral to legitimate: An inquiry into television's material traces in archival spaces, 1950s--1970s.

机译：从短暂到合法：对1950年代至1970年代档案空间中电视的材料痕迹的调查。

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摘要

The dissertation offers a historical inquiry about how television's material traces entered archival spaces. Material traces refer to both the moving image products and the assortment of documentation about the processes of television as industrial and creative endeavors. By identifying the development of television-specific archives and collecting areas in the 1950s to the 1970s, the dissertation contributes to television studies, specifically pointing out how television materials were conceived as cultural and historical materials "worthy" of preservation and academic study. Institutions, particularly academic and cultural institutions with archival spaces, conferred television with a status of legitimacy alongside the ascent of television studies in the 1960s and 1970s. Institutions were sites of legitimation, however, television's entrance into these archival spaces depended on the work of various individuals within academic, archival, and industrial structures who grappled with defining television's intangible archival values and dealt with material obstacles. In examining several major institutions and the factors at play in archiving television, we can trace how television was valued as worthy of academic study and conceptualized as historical evidence. The following research questions structured this historical inquiry: How did different institutions approach television as archivable in the 1950s to the 1970s? Who were the determinators within these institutions, who could conceptualize television as archivable? What were the factors that enabled television's material traces to enter archival spaces? How did television directly or indirectly enter these archival spaces?;Drawing on historical methods, the research primarily examined the archives of the archives, meaning institutional documents that illuminated the archival process and perceptions about television and media. The dissertation focused on five case studies: the Museum of Modern Art, the Mass Communications History Center at the State Historical Society of Wisconsin, the Wisconsin Center for Film and Theater Research, the UCLA Film and Television Archives, and the Museum of Broadcasting. These case studies represent the various institutional contexts that applied an archival logic to television. Cultural institutions, academic archives, and industry-initiated archives worked as sites to legitimate television, transforming ephemeral broadcast moments into lasting historical and cultural material.
机译：论文对电视的材料痕迹如何进入档案空间进行了历史性的研究。素材痕迹既涉及运动图像产品，也涉及涉及电视过程的各种文献，作为工业和创造性的工作。通过确定1950年代到1970年代特定于电视的档案的发展和收集领域，本论文为电视研究做出了贡献，特别指出了电视材料如何被视为具有“价值”的保存和学术研究的文化和历史材料。机构，尤其是具有档案空间的学术和文化机构，在1960年代和1970年代随着电视研究的兴起，赋予电视以合法地位。机构是合法化的场所，但是，电视进入这些档案空间的方式取决于学术，档案和工业结构中各个人的工作，他们致力于定义电视的无形档案价值并应对物质障碍。通过研究几个主要机构以及归档电视的过程中的因素，我们可以追溯到电视如何被视为值得学术研究并被概念化为历史证据。以下研究问题构成了这一历史性探究：在1950年代至1970年代，不同的机构如何将电视视为可归档电视？这些机构中的决定者是谁，谁可以将电视概念化为可归档的？是什么因素使电视的痕迹进入了档案空间？电视是如何直接或间接进入这些档案空间的？研究利用历史方法，主要研究了档案的档案，这意味着阐明了档案过程以及对电视和媒体的看法的机构文件。论文的重点是五个案例研究：现代艺术博物馆，威斯康星州国家历史学会的大众传播历史中心，威斯康星州电影和戏剧研究中心，加州大学洛杉矶分校电影和电视档案馆以及广播博物馆。这些案例研究代表了将档案逻辑应用于电视的各种制度背景。文化机构，学术档案馆和行业发起的档案馆是合法电视的站点，将短暂的广播时刻转变成持久的历史和文化素材。

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  • 作者

    Bratslavsky, Lauren Michelle.;

  • 作者单位

    University of Oregon.;

  • 授予单位 University of Oregon.;
  • 学科 Mass Communications.;Museology.;Information Science.
  • 学位 Ph.D.
  • 年度 2013
  • 页码 470 p.
  • 总页数 470
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

  • 入库时间 2022-08-17 11:41:12

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