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Thou need'st not weep, for I have wept full sore: An affective genealogy of the Armenian lullaby in Turkey.

机译：您不必哭泣，因为我痛哭了：土耳其亚美尼亚摇篮曲的情感家谱。

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This dissertation is a historical and ethnographic study of the Armenian lullaby in Turkey as a genre of intimacy, testimony, and protest. It traces the affective history accumulated on the lullaby that turns it into a resource for remembrance, story-telling, and the transmission of a sense of loss. Drawing on printed archival material, sound recordings, and interviews, this project unfolds around the musical political history of the Armenian community of the Ottoman Empire and of the Republic of Turkey from the mid-nineteenth century to the present. It contextualizes the formation of the genre of lullaby in nineteenth century Armenian ethnographic collections and in the body of revolutionary poetry and song, historicizing it within gendered politics of land and modernity. By revealing the continuities and gaps in the transmission of this repertory in the Armenian community in Istanbul today, this dissertation points to the displacements and losses that shape the Armenian belonging in Turkey. It argues that the Armenian lullaby as a metonym for a criminalized history has the capacity to challenge any liberal and nationalist discourse on history and culture in Turkey. This dissertation is accompanied by audio files featuring lullaby recordings.

机译：本文是对土耳其亚美尼亚摇篮曲的一种历史和人种学研究，作为亲密，见证和抗议的一种形式。它追溯了在催眠曲上积累的情感历史，并将其转变为记忆，讲故事和传递失落感的资源。该项目利用印刷的档案材料，录音和访谈，围绕19世纪中叶至今的奥斯曼帝国和土耳其共和国的亚美尼亚社区的音乐政治历史展开。它结合了十九世纪亚美尼亚人种学收藏品以及革命诗歌和歌曲中摇篮曲类型的形成，并将其在土地和现代性别政治中进行了历史化。通过揭示今天在伊斯坦布尔亚美尼亚社区传播该曲目的连续性和差距，本文指出了构成土耳其亚美尼亚人的流离失所和损失。它认为，亚美尼亚摇篮曲作为被定罪的历史的代名词，有能力挑战土耳其关于历史和文化的任何自由主义和民族主义话语。本文还附有带有催眠曲录音的音频文件。

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作者
Bilal, Melissa.;
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作者单位

The University of Chicago.;

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授予单位 The University of Chicago.;
学科 Music.;Anthropology Cultural.;History Middle Eastern.
学位 Ph.D.
年度 2013
页码 341 p.
总页数 341
原文格式 PDF
正文语种 eng
中图分类宗教;
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Thou need'st not weep, for I have wept full sore: An affective genealogy of the Armenian lullaby in Turkey.

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