首页> 外文学位 >Discovering three new solo works for trumpet: A guide to the history, analysis, and preparation of Anthony Plog's Sonata, Martin Rokeach's 'Running at the Top of the World', and Charles Reskin's Sonata for Trumpet and Piano.
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Discovering three new solo works for trumpet: A guide to the history, analysis, and preparation of Anthony Plog's Sonata, Martin Rokeach's 'Running at the Top of the World', and Charles Reskin's Sonata for Trumpet and Piano.

机译:发现三本新的小号独奏作品:Anthony Plog奏鸣曲的历史,分析和准备指南,Martin Rokeach的《奔向世界之巅》和Charles Reskin的小号和钢琴奏鸣曲。

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摘要

This monograph will serve as a guide to musicians for the preparation and performance of three new works by three living composers: Trumpet Sonata (2010) by Anthony Plog, Running at the Top of the World (2012) by Martin Rokeach, and Sonata - for trumpet and piano (2007) by Charles Reskin. Included will be sections or chapters on the history and background of each work, biographical information about each composer, detailed theoretical analysis and exclusive interviews with the composers.;Each individual interview will provide insight into the music, including information on personal inspiration and imagery, a strong focus on timbre, tips and pointers on putting everything together with piano, thematic elements, and theoretical insights. The detailed analysis included in this dissertation will examine these three works further for their idiomatic use of instrumentation, phrasing, articulation, muting, tempi, and dynamics. Suggestions are given for each of these topics viz. interpretation and performance.;With regard to my theoretical approach in this monograph, I will be using a variety of methods developed by important theorists including Hugo Riemann and Paul Hindemith. The work of the latter will be expanded upon substantially because Charles Reskin pays special homage to Hindemith in the third movement of his sonata. In my three analytical studies, I will argue that each composer chooses specific chords for a particular structural or semiotic reason. I will also draw important connections between various types of motivic material and discuss other techniques that each composer uses to provide cohesion among movements.
机译:该专着将作为音乐家的指南,指导三位在世作曲家的三部新作品的准备和表演:Anthony Plog的小号奏鸣曲(2010),Martin Rokeach的《奔向世界之巅》(2012)和Sonata-小号和钢琴(查尔斯·雷斯金,2007年)。其中包括以下部分或章节:每部作品的历史和背景,每位作曲家的传记信息,详细的理论分析以及与作曲家的独家专访。每次专访都将提供对音乐的见解,包括有关个人灵感和意象的信息,强烈关注音色,技巧和指针,将一切与钢琴,主题元素和理论见解结合在一起。本文所包含的详细分析将进一步研究这三部作品的惯用手段:乐器,短语,发音,静音,节奏和动力学。针对这些主题分别提出了建议。在本专着中,关于我的理论方法,我将使用由重要理论家(包括雨果·黎曼和保罗·欣德米特)开发的各种方法。后者的工作将在很大程度上得到扩展,因为查尔斯·雷斯金在奏鸣曲的第三乐章中特别向Hindemith致敬。在我的三项分析研究中,我将争辩说,每个作曲家都是出于特定的结构或符号学原因选择特定的和弦。我还将画出各种动机材料之间的重要联系,并讨论每个作曲家用来在动作之间提供凝聚力的其他技术。

著录项

  • 作者

    Futer, Paul Edward.;

  • 作者单位

    Temple University.;

  • 授予单位 Temple University.;
  • 学科 Music.
  • 学位 D.M.A.
  • 年度 2016
  • 页码 175 p.
  • 总页数 175
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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