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首页> 外文学位 >And the darkness comprehended it not: Epiphany in James Joyce and Fei Ming.
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And the darkness comprehended it not: Epiphany in James Joyce and Fei Ming.

机译：黑暗却无法理解：詹姆斯·乔伊斯和费明的顿悟。

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摘要

Fei Ming is one of the greatest innovators in the history of modern Chinese literature, but unfortunately, there has been little scholarship on his works. One major reason is his difficult style, which comes from his special aesthetic theory and literary practice. Fei Ming points out that a true artistic creation should be integral or complete from the beginning. This mysterious process does not only echo the popular concept of inspiration in Western literature, but is infused with the mysticism of dunwu, characteristic of Fei Ming's difficult aestheticism. Since Fei Ming does not bother himself to provide more detailed explanations on how dunwu affects the process of conceiving an artistic work, epiphany, a sudden spiritual manifestation as well as a western equivalent of dunwu, made famous by James Joyce, becomes a convenient tool to facilitate the understanding.;Both Fei Ming and James Joyce illustrate three developing stages of consciousness in their writing. By comparing three pairs of the works of Joyce and Fei Ming--Joyce's Dubliners, A Portrait of the Artist as a Young Man, and Ulysses, with Fei Ming's short stories, Bridge, and The Life of Mr. Mo Xuyou--we can see that although Joyce and Fei Ming have two different patterns due to the different religious tenets of Catholicism and Buddhism, they employ epiphany as an operative, structural, and thematic device. The concept of epiphany allows us to find similarities in how these two authors construct their works, how their characters perceive the world and events around them, and how they want their readers to recognize these special moments.
机译：费明是中国近现代文学史上最伟大的创新者之一，但不幸的是，他的作品很少获得奖学金。一个主要的原因是他艰难的风格，这源于他特殊的美学理论和文学实践。费明指出，真正的艺术创作从一开始就应该是完整的或完整的。这种神秘的过程不仅呼应了西方文学中流行的灵感概念，而且还融入了费明艰难审美主义的特征-顿悟的神秘主义。由于费明没有费心去对顿悟如何影响艺术作品的创作过程提供更详细的解释，詹姆斯·乔伊斯（James Joyce）著名的顿悟，顿悟的突然显现以及西方的顿悟等成为了一种方便的工具。费明和詹姆斯·乔伊斯都在写作中说明了意识的三个发展阶段。通过比较乔伊斯和费明的三对作品-乔伊斯的《都柏林人》，《青年艺术家的画像》和《尤利西斯》，以及费明的短篇小说，《桥》和《莫绪有先生的生平》，我们可以看到尽管乔伊斯和费明由于天主教和佛教的宗教信条不同而具​​有两种不同的模式，但他们还是将顿悟作为一种可操作的，结构性的和主题性的工具。顿悟的概念使我们可以找到两位作者在构造作品时的相似之处，他们的角色如何看待周围的世界和周围的事件，以及他们如何希望读者认识到这些特殊时刻。

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  • 作者

    Su, Peirui.;

  • 作者单位

    Purdue University.;

  • 授予单位 Purdue University.;
  • 学科 Literature Comparative.;Literature English.;Literature Asian.
  • 学位 Ph.D.
  • 年度 2010
  • 页码 195 p.
  • 总页数 195
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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