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首页> 外文学位 >Recovering ancient ritual and the theatre of the Apache: A journey through the false consciousness of Western theatre history (Greece).
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Recovering ancient ritual and the theatre of the Apache: A journey through the false consciousness of Western theatre history (Greece).

机译：恢复古代仪式和阿帕奇人的戏剧：穿越西方戏剧历史的错误意识的旅程（希腊）。

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摘要

This dissertation examines past cultural influences that have shaped theatre historians' perception of ancient Greek and contemporary Native American performance. It suggests that through a recognition of these influences, which have long tempered the Western narrative of theatre, ancient and Indigenous performance can be reviewed as similar forms of a lived exchange. The study tracks the formation of certain beliefs and assumptions within performance history through Roman, early Christian and Renaissance cultural identities. It notes the misrepresentation of oral and popular theatre within theatrical scholarship through its reliance upon the written remains of the ruling classes and confronts the notion of high and low forms of art as class-based within the theatre canon. Through an historical methodology the chapters attempt to disclose and refute long held assumptions within the discipline of theatre history. It explores ancient Athenian theatre as a sacred tribal ritual and an Apache puberty ritual as similar theatrical performances. The chapters also note the similar paths of ancient popular theatre and ritual performance of the Native American within Western theatre history. In conclusion the dissertation argues that Western definitions and ideology cannot be placed upon another separate and distinct culture and produce anything more than a distorted and fictionalized interpretation. It summarizes the impact of ancient social structures upon our view of Indigenous performance today and argues that without these religious and cultural biases from antiquity, the Apache ritual and fifth century B.C.E. theatre can be seen simultaneously as dramatic and sacred forms of equal importance with their own parallel history within the Western theatrical narrative. In conclusion the study offers an alternative historiography of both cultures through their performances.
机译：本文考察了过去的文化影响，这些文化影响塑造了剧院历史学家对古希腊和当代美国原住民表演的看法。它表明，通过认识到这些长期影响西方戏剧叙事的影响，可以将古代和土著表演视为类似的交流形式。该研究通过罗马，早期基督教和文艺复兴时期的文化身份来追踪表演历史中某些信念和假设的形成。它通过依赖统治阶级的书面遗留物，指出在戏剧奖学金中口头和大众戏剧的错误陈述，并且面对戏剧规范中基于阶级的高低艺术形式的观念。通过历史方法论，各章试图揭示和驳斥剧院历史学科内长期存在的假设。它探索古代雅典剧院作为一种神圣的部落仪式，而将阿帕奇青春期仪式作为类似的戏剧表演。这些章节还指出了古代流行戏剧的相似路径和西方戏剧历史上美国原住民的仪式表演。总之，本文认为，西方的定义和意识形态不能置于另一种截然不同的文化之上，而只能产生扭曲和虚构的解释。它总结了古代社会结构对我们今天的土著表演的影响，并认为，如果没有古代的宗教和文化偏见，阿帕奇仪式和公元前五世纪都是如此。在西方戏剧叙事中，戏剧可以同时被视为具有同等重要历史意义的戏剧性和神圣形式。总之，该研究通过两种文化的表现为两种文化提供了另一种历史学。

著录项

  • 作者

    Dean, Marla Kathleen.;

  • 作者单位

    Louisiana State University and Agricultural & Mechanical College.;

  • 授予单位 Louisiana State University and Agricultural & Mechanical College.;
  • 学科 Theater.; American Studies.; History Ancient.
  • 学位 Ph.D.
  • 年度 2005
  • 页码 327 p.
  • 总页数 327
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 公共建筑;古代史（公元前40世纪~公元476年）;
  • 关键词

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