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Reading contemporary Chinese music: Reconsidering identity and cultural politics in analysis.

机译：阅读当代中国音乐：在分析中重新考虑身份和文化政治。

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摘要

This thesis focuses on a number of key themes in identity politics in the study of contemporary Chinese music to date. The purpose is two-fold: firstly, to derive novel analytical approaches that will adequately address the socio-political implications of meaning making in a globalized age; secondly, to re-evaluate the role of technical analysis in the reading of contemporary Chinese music. I perform close reading in some of my discussions, and focus on meta-cultural narratives in other instances. Whenever technical analytical accounts are given, I take great care to articulate my intention and agenda as an analyst; in cases where note-to-note analysis is not necessary or appropriate, I read the sonic, visual, cultural and social features of the work as sets of interdependent texts. My goal is not to give a complete diagnostic overview of the field, but rather, to articulate a unique position as an artist born of multiple ethnic and national origins who considers himself a composer, sound artist and critic all in one.;The first chapter reconsiders the function of technical analysis in the reading of contemporary Chinese composition. The next two chapters turn to the question of meta-cultural frameworks, specifically, I elaborate on how a globalized Chinese modernity appears to manifest in the recent works of contemporary Chinese composers. The fourth and final chapter looks at the implications of this new transnational Chinese modernity for critics and analysts.;The dissertation concludes with two large scale compositions, namely Electric Counterpoint, a concerto for orchestra, tape and live improvised electronics; and I am thinking in a room, different from the one you are hearing in now, an audio- visual performance piece scored for two performers with brainwave sensors.
机译：本文着眼于迄今为止中国当代音乐研究中身份政治的多个关键主题。目的是双重的：首先，得出新颖的分析方法，以充分解决全球化时代意义制造的社会政治影响；其次，重新评估技术分析在当代中国音乐阅读中的作用。在一些讨论中，我会进行仔细阅读，而在其他情况下，我会专注于元文化叙事。每当提供技术分析报告时，我都会非常谨慎地阐明我作为分析师的意图和议程。在没有必要或不适当进行逐注分析的情况下，我将作品的声音，视觉，文化和社会特征读为相互依存的文本集。我的目标不是要对该领域进行全面的诊断概述，而是要阐明作为具有多种民族和民族血统的天生艺术家的独特地位，他认为自己是一个作曲家，声音艺术家和评论家。重新考虑了技术分析在当代中国作文阅读中的作用。接下来的两章转向元文化框架的问题，具体来说，我将详细阐述全球化的中国现代性如何在当代中国作曲家的近期作品中体现出来。第四章也是最后一章探讨了这种新的跨国现代性对批评家和分析家的意义。论文的结尾是两个大型作品，即电子对唱，管弦乐队协奏曲，录音带和现场即兴电子产品。我在一个与现在听到的房间不同的房间里思考，这是一部视听表演作品，为两名具有脑波传感器的表演者评分。

著录项

  • 作者

    Young, Kar Fai Samson.;

  • 作者单位

    Princeton University.;

  • 授予单位 Princeton University.;
  • 学科 Music.
  • 学位 Ph.D.
  • 年度 2013
  • 页码 138 p.
  • 总页数 138
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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