首页> 外文学位 >'Myself yet not quite myself': 'Jane Eyre', 'Wide Sargasso Sea', and a third space of enunciation, and, 'Being herself invisible, unseen, unknown': 'Mrs. Dalloway', 'The Hours', and the re-inscribed lesbian woman.

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'Myself yet not quite myself': 'Jane Eyre', 'Wide Sargasso Sea', and a third space of enunciation, and, 'Being herself invisible, unseen, unknown': 'Mrs. Dalloway', 'The Hours', and the re-inscribed lesbian woman.

机译：“我自己还不完全是我自己”：“简·艾尔”，“宽阔的萨尔加索海”和第三个表述空间，以及“自己不可见，看不见，未知”：“达洛维夫人”，“时光”和重新登记的女同性恋女人。

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In Wide Sargasso Sea, Rhys gives voice to the creole woman and provides a space for the other's enunciation by "creolizing" Jane Eyre. Rhys creates a place that is at once both Jane Eyre and not Jane Eyre, an ambivalence that captures the struggle of Bertha and Jane's identity. Wide Sargasso Sea's relationship to Jane Eyre as a revision/rewriting is a third space that allows, I argue, for the enunciation of the other. While a postcolonial/racial foundation prompts the rewriting of Jane Eyre, the gender of both women relates to their status as subaltern. Rhys' re-vision is a complicated act of subaltern agency, in which the author locates a third space of ambivalence to reiterate the feminist struggle of Jane Eyre as well as revoke and then reinscribe critically the racial and feminist struggle of Bertha Rochester.

机译：在宽阔的马尾藻海中，Rhys通过“折磨”简·艾尔（Jane Eyre），向这位克里奥尔人的妇女发出声音，并为对方的说话提供了空间。 Rhys创造了一个既是简·爱又不是简·爱的地方，这种矛盾的态度抓住了伯莎和简的身份的挣扎。我认为，宽广的Sargasso Sea与Jane Eyre的关系（作为修订/改写）是第三个空间，该空间允许另一个人的表述。虽然后殖民/种族基金会促使简·爱尔（Jane Eyre）改写，但两名妇女的性别都与她们的下属地位有关。 Rhys的修改是次要机构的一项复杂行为，在其中作者确定了矛盾的第三个空间，以重申Jane Eyre的女权斗争以及撤销和批判性地重新刻画Bertha Rochester的种族和女权斗争。

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作者
Reavis, Serena B.;
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作者单位

The University of North Carolina at Greensboro.;

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授予单位 The University of North Carolina at Greensboro.;
学科 Literature Comparative.; Literature American.; Literature English.
学位 M.A.
年度 2005
页码 55 p.
总页数 55
原文格式 PDF
正文语种 eng
中图分类文学理论;
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外文文献

1. lntertextual Identities: The Crisis of Voice and Location in Jane Eyre and Wide Sargasso Sea [J] . Butler Kristy Journal of Franco-Irish Studies . 2011,第1期

机译：互文身份：简·艾尔和宽阔的马尾藻海中的声音和位置危机
2. The Mind's Eye: Focalizing âNatureâ in Jane Eyre and Wide Sargasso Sea [J] . Gail Finchama* English Academy Review: Southern African Journal of English Studies . 2010,第1期

机译：心灵之眼：聚焦简·爱和宽阔的马尾藻海中的“自然”
3. A Comparative Study of Bertha Mason in Jane Eyre and Wide Sargasso Sea from a Feminist Perspective [C] . Jiang Qian International Conference on Humanities Science, Management and Education Technology . 2018

机译：从女权主义的角度对Jane Eyre和宽阔的Sargasso海中Bertha Mason的比较研究
4. Women, marriage, and madness in Jean Rhys's "Wide Sargasso Sea", Virginia Woolf's "Mrs. Dalloway", and Doris Lessing's "The Golden Notebook", as seen through Charlotte Gilman Perkin's "The Yellow Wallpaper" (Dominica, Zimbabwe). [D] . Goff, Dawn Kelly. 2000

机译：通过夏洛特·吉尔曼·珀金（Charlotte Gilman Perkin）的《黄色墙纸》（多米尼加，津巴布韦）可以看到让·瑞斯（Jean Rhys）的《宽阔的马尾藻海》，弗吉尼亚·伍尔夫的《达洛维夫人》和多丽丝·莱辛的《金色笔记本》中的妇女，婚姻和疯狂。
5. L’image du père et du jardin : Jane Eyre de Charlotte Brontë et WideSargasso Sea de Jean Rhys Of Father Figures and Gardens: Charlotte Brontë’s Jane Eyre and Jean Rhys’s Wide Sargasso Sea [O] . Anne-Marie Baranowski 2009

机译：L'imagedupèreetdu jardin：Jane Eyre deCharlotteBrontë和Widesargasso sea de Jean Rhys的父亲人物和花园：CharlotteBrontë的Jane Eyre和Jean Rhys的宽马尾藻海

'Myself yet not quite myself': 'Jane Eyre', 'Wide Sargasso Sea', and a third space of enunciation, and, 'Being herself invisible, unseen, unknown': 'Mrs. Dalloway', 'The Hours', and the re-inscribed lesbian woman.

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