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首页> 外文学位 >Translating Hugo: Adapting and transfiguring Victor Hugo's 'Notre Dame de Paris: 1482' on film.
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Translating Hugo: Adapting and transfiguring Victor Hugo's 'Notre Dame de Paris: 1482' on film.

机译：翻译雨果：改编和变相维克多·雨果的电影《巴黎圣母院：1482》。

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摘要

Early narrative cinema developed to mimic written narrative forms. Because of this tendency and because of its institutional proximity to the study of literature, in the early years film was not given the sort of intense critical scrutiny it warranted as a newly emerging art form. The study of film adaptations was, predictably, even more marginalized and was caught up in relatively unproductive and qualitative comparisons across forms that did little more than record differences between the story on the page and the story on the screen. More critical attention needs to focus on the process of film adaptation.; Using the English-language film versions of Victor Hugo's Notre-Dame de Paris: 1482, my dissertation examines the ways in which material and sociohistorical pressures come to bear on the ways in which adaptations are both made and received. The analysis sums up work-to-date on adaptation studies and suggests new ways of examining adaptations, specifically serial adaptations. By suggesting a number of points of entry into a more extended consideration of the area (for example, examining the changing representation of disability on screen), various methodologies are applied to selected adaptations and some important new observations are made about the story and how it has changed as a function of adaptation over time.; As a result of repeated adaptation and commercial expropriation, Hugo's narrative has been transformed into a modern morality tale that cautions its audience about judging by appearances. In its subsequent reenvisioning on film, characters have assumed more heroic traits and have begun to act more altruistically than in the original novel. Rather than Hugo's melodramatic social and political indictment of religious and secular authority, the story has become part of a larger project by restating the American Dream in which characters overcome obstacles by sheer will and good intentions. A far cry from Hugo's cynical novel, the story of The Hunchback of Notre Dame has been claimed by succeeding generations as its own and has come to resemble its dubiously optimistic recreators.
机译：早期的叙事电影发展为模仿书面叙事形式。由于这种趋势，并且由于其与文学研究的体制接近性，在早期，电影没有得到应作为一种新兴的艺术形式进行的严格的批判性审查。可以预见，对电影改编的研究被边缘化了，并且被各种形式的相对无用和定性的比较所束缚，这些比较只记录了页面上的故事和屏幕上的故事之间的差异。需要更加关键的注意力集中在电影改编的过程上。我的论文使用维克多·雨果（Victor Hugo）的巴黎圣母院（Notre-Dame de Paris）的英语电影版本：1482，研究了适应和接受改编的方式受到物质和社会历史压力的方式。该分析总结了适应性研究的最新成果，并提出了检验适应性的新方法，特别是系列适应性研究。通过建议对该领域进行更广泛考虑的一些切入点（例如，检查屏幕上残疾的变化表示），将各种方法应用于选定的改编作品，并对故事及其故事作一些重要的新观察随着时间的流逝适应能力的变化。由于反复的改编和商业剥夺，雨果的叙述已转变为现代的道德故事，提醒听众注意外观的判断。在随后对电影的重新构想中，与原始小说相比，角色具有更多的英雄特征，并开始表现得更加利他。故事不再是雨果对宗教和世俗权威的机智的社会和政治诉求，而是通过重述《美国梦》成为一个更大的项目的一部分，在《美国梦》中，角色以纯粹的意志和良好的意愿克服了障碍。与雨果的愤世嫉俗小说相去甚远，《巴黎圣母院的驼背》（The Hunchback of Notre Dame）的故事已被后代们视为自己的故事，并且变得像其令人怀疑的乐观娱乐者。

著录项

  • 作者

    Harnick, Laurie E.;

  • 作者单位

    The University of Western Ontario (Canada).;

  • 授予单位 The University of Western Ontario (Canada).;
  • 学科 Literature Romance.; Cinema.
  • 学位 Ph.D.
  • 年度 2005
  • 页码 253 p.
  • 总页数 253
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 世界文学;电影、电视艺术;
  • 关键词

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