首页> 外文学位 >A pentadic examination of Kenneth Burke's perspective by incongruity: Reading Burke's Nietzschean intertext (Friedrich Nietzsche).
【24h】

A pentadic examination of Kenneth Burke's perspective by incongruity: Reading Burke's Nietzschean intertext (Friedrich Nietzsche).

机译:对肯尼思·伯克(Kenneth Burke)的观点进行的不切实际的审视:阅读伯克的《尼采互通》(Friedrich Nietzsche)。

获取原文
获取原文并翻译 | 示例

摘要

This dissertation is the first full-length study of Kenneth Burke's "Perspective by Incongruity" a concept introduced in his book Permanence and Change (1935). Burke attributes its genesis to his analysis of Nietzsche's styles; therefore, the content of this study necessarily involves an examination of Burke's Nietzschean intertext.; The terms of Burke's Pentad thematize four chapters, because the second chapter combines purpose and scene into a ratio. Chapter one does not have a term, since it introduces the entire project. Burke's Pentad, presented in A Grammar of Motives (1940), consists of the terms purpose, scene, agent, act, and agency, and is designed to generate perspectives. In this way, even Burke's theory of Dramatism is related to Nietzsche's "cult of perspectives" (P&C 88).; Reading Burke as primarily a Nietzschean grappling with Marxist issues is a new perspective in Burkeian studies. Conventionally, Burke is assumed to be primarily a Freudo-Marxist literary critic. Reading Nietzsche back into Burke's texts reinvigorates them by forcing a re-evaluation of his theory of language, and his relationship to psychoanalysis and Marxism. Nietzsche's influence explains his seemingly idiosyncratic treatment of the human physiology.; Burke's reading of Nietzsche also led him to supplement Marx in a unique way. Burke derived a linguistic interpretation of alienation before that was fashionable, and fashioned a method for dissolving alienation via transformations when one was much needed in the thirties.; The key concept of perspective by incongruity is examined through Burke's historical context. His writing about sparagmos in P&C is mined for its associations of images (clusters); this text involves Nietzsche. The use of invective as a source of incongruity is the topic of the fourth chapter. Burke enacts perspectives in the form of his "six pivotals," the ranges of rhetorical modes used in his only novel, Towards a Better Life. And finally, Burke's insistence on the consideration of human bodies (motion) as they produce symbols (action) is examined in his literary criticism as he worked through the poetry of Coleridge and Keats. One of Burke's most Nietzschean aspects is his attempt to reintroduce the physiology into literary criticism.
机译:本文是肯尼思·伯克(Kenneth Burke)的《不和谐的视角》(Perspective by Incongruity)的首次完整研究,该概念在他的著作《持久与变化》(Permanence and Change,1935年)中得到介绍。伯克将其起源归因于他对尼采风格的分析。因此,本研究的内容必然涉及对伯克的尼采交际文本的考察。伯克的《五角星》一词共分为四章,因为第二章将目的和场景结合在一起。第一章没有术语,因为它介绍了整个项目。伯克的《五角星》在《动机语法》(1940年)中提出,由目的,场景,代理,行为和代理等术语组成,旨在产生观点。这样,即使是伯克的戏剧主义理论也与尼采的“观点崇拜”有关(P&C 88)。在伯克主义研究中,将伯克读为主要是尼采对马克思主义问题的研究是一种新观点。按照惯例,伯克被认为主要是弗洛多·马克思主义的文学批评家。将尼采读回到伯克的著作中,迫使对他的语言理论以及他与精神分析和马克思主义的关系进行重新评估,从而使它们振兴起来。尼采的影响解释了他对人类生理学的看似特质处理。伯克对尼采的解读也使他以独特的方式补充了马克思。伯克在此之前流行出一种对异化的语言学解释,并提出了一种在三十年代急需时通过转化来解决异化的方法。伯克(Burke)的历史背景考察了不一致视角的关键概念。他关于财产险中垃圾邮件的著作是由于其图像关联(集群)而被挖掘出来的。这段文字涉及尼采。第四章的主题是使用煽动性作为不一致的来源。伯克以“六个关键人物”的形式阐述观点,这是他唯一的小说《走向更美好的生活》中使用的修辞模式的范围。最后,伯克在研究科尔里奇和济慈的诗歌时,在文学批评中考察了伯克在考虑人体(运动)产生符号(动作)时的坚持。伯克最尼采的方面之一就是他试图将生理学重新引入文学批评中。

著录项

  • 作者

    Groce, Gary Scott.;

  • 作者单位

    Southern Illinois University at Carbondale.;

  • 授予单位 Southern Illinois University at Carbondale.;
  • 学科 Language Rhetoric and Composition.; Speech Communication.; Literature General.
  • 学位 Ph.D.
  • 年度 2005
  • 页码 212 p.
  • 总页数 212
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 语言学;语言学;
  • 关键词

相似文献

  • 外文文献
  • 中文文献
获取原文

客服邮箱:kefu@zhangqiaokeyan.com

京公网安备:11010802029741号 ICP备案号:京ICP备15016152号-6 六维联合信息科技 (北京) 有限公司©版权所有
  • 客服微信

  • 服务号