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Image Capital: A Case Study of the Spatialization and Semioticization Processes at Hengdian World Studios.

机译：图像资本：横店影视城空间化和符号化过程的案例研究。

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摘要

This thesis develops the concept of image capital to investigate the relationship between image, capital and power. Image capital is built on Bourdieu's concept of cultural capital, but looks specifically into how visual and imagery resources becomes a power at stake in the cultural field at the juncture of the economies of signs and space featured by growing convergence of culture and the economy and subsequent blurring of the boundaries between base/superstructure and production/consumption.;The concept of image capital is examined through the case study of the spatialization and the semioticization processes of Hengdian World Studios, a China studio complex that serves domestic and international film and TV productions and operates film studio tourism. The studio, as a case, is theorized as a field which is constituted by different agents with various forms of image capital, including those embedded in local as well as transnational production and consumption networks. The processes of production, accumulation and conversion of image capital at the field of Hengdian World Studios are investigated to chart 1) how image functions as a form of capital at stake in the cultural field and how it can be converted into other forms of capital; 2) how the distribution of image capital is structured amongst agents in the field and how this structure influences the value and conversion rate image capital to other forms of capital. The first question aims at studying the semioticization process, whilst the second attempts to scrutinize the spatialization and the labor politics underpinning the alliance of image and capitalism. By theorizing image as Bourdieusean form of capital and examining both its enabling possibilities and constraints, this thesis sheds light on the study of media images by steering beyond ideological control to both the productive and repressive power of images onto different agents as well as the social intuitions of the up and rising economies of sign and space.
机译：本文提出了图像资本的概念，以研究图像，资本和权力之间的关系。图像资本是建立在布迪厄文化资本概念的基础上的，但它专门研究视觉和图像资源如何在符号经济和空间经济的交界处成为文化领域的重要力量，其特征是文化与经济的日益融合以及随后的发展。基础/上层建筑与生产/消费之间的界限的模糊化；通过对横店影视城的空间化和符号化过程的案例研究，研究了图像资本的概念，横店影视城是一家为国内外电影和电视作品提供服务的中国影城并经营电影制片厂旅游。作为一个案例，工作室被理论化为一个领域，由具有各种形式图像资本的不同代理人构成，包括嵌入本地以及跨国生产和消费网络中的那些。横店世界影城的形象资本的产生，积累和转化过程进行了调查，结果如图1所示。形象如何在文化领域作为一种至关重要的资本发挥作用，以及如何转化为其他形式的资本； 2）该领域中代理商之间的图像资本分配结构是如何构成的，以及这种结构如何影响图像资本向其他形式的资本的价值和转化率。第一个问题旨在研究符号化过程，而第二个问题则是仔细研究空间化和支持图像与资本主义同盟的劳动政治。通过将图像理论化为布尔迪亚斯（Bourdieusean）形式的资本并研究其可能的可能性和制约因素，本论文通过超越意识形态控制，将图像的生产和压制力转移到不同的主体以及社会直觉上，为媒体图像的研究提供了启示。和空间经济的上升和上升。

著录项

  • 作者

    Chow, Pui Ha.;

  • 作者单位

    The Chinese University of Hong Kong (Hong Kong).;

  • 授予单位 The Chinese University of Hong Kong (Hong Kong).;
  • 学科 Mass Communications.
  • 学位 Ph.D.
  • 年度 2012
  • 页码 449 p.
  • 总页数 449
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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