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The eighth- and ninth-century Frankish Alleluia.

机译：八世纪和九世纪的法兰克人阿莱路亚（Frankish Alleluia）。

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摘要

This dissertation is a study of the Alleluia of the Mass as it developed in the eighth and ninth centuries. It presents a reassessment of the earliest evidence for the growth, development, and transmission of the Mass Alleluia repertory within the Carolingian world. It is argued here that the Frankish program of "Romanization" involved not only the adoption of the cantus romanus but also the transformation and adaptation of that chant by the Franks. In the process of hybridization, the northern ecclesiastical reformers added a number of newly-composed Alleluias to the relatively small fund provided them by the Romans. This study explores these eighth- and ninth-century "Frankish Alleluias." An examination of their melodies, texts, liturgical assignments, and patterns of transmission offers evidence with chronological significance.;Comparative analysis of the Alleluias appearing in the three Old Roman gradualia and the six manuscripts edited in Hesbert's Antiphonale Missarum Sextuplex results in the identification of fifty-seven early Frankish additions to the Alleluia repertory. Tracing the evidence of these Alleluias preserved in twenty-seven Frankish manuscripts of the eighth through the early twelfth centuries allows for the division of the sample into three distinct groups.;Among the first group are Frankish Alleluias of local import that appear in isolated pockets of the Empire, or those chants presenting scant, scattered, or severely limited evidence of their existence (Alleluias of Limited Distribution). The second group comprises Frankish Alleluias with universally-known verses, but with widely divergent regional melodic traditions (Regional Alleluias). Only chants of the third group are stable textually and melodically (the Carolingian Core Alleluias).;A study of melodic characteristics and liturgical assignments reveals two layers within the Core: one early layer, in place by the 790s, and a later group that entered the repertory over the course of the first half of the ninth century. The Compiegne Antiphoner, F-Pn lat. 17436, is the earliest surviving manuscript to include the Core in toto. I conclude that, rather than resulting from a single, unified reform effort, the Frankish Alleluias entered the repertory within the context of the ongoing reforms of Charlemagne, Louis the Pious, and Charles the Bald.
机译：本文是对八十年代和九世纪发展起来的大众Alleluia的研究。它提供了对加洛林世界中Alleluia曲目的发展，发展和传播的最早证据的重新评估。有人认为，法兰克人的“浪漫化”计划不仅涉及罗曼斯罐头的采用，而且还涉及法兰克人对该颂歌的改造和改编。在杂交过程中，北部教会改革者在罗马人提供的相对较小的基金中增加了一些新成立的阿莱鲁伊斯。这项研究探索了八，九世纪的“法兰克·阿莱鲁亚斯”。对他们的旋律，文本，礼仪任务和传播方式的检查提供了具有时间顺序意义的证据。对出现在三部古罗马遗嘱中的阿勒柳亚虫和赫斯伯特《安妮菲勒·米萨鲁姆六性研究》中编辑的六份手稿进行比较分析，结果发现了五十个-Alleluia曲目中的七个早期法兰克人。追溯保存在第八至十二世纪初的二十七个法兰克手抄本中保存的这些Alleluias的证据，可以将样本分为三个不同的组;其中第一组是本地进口的Frankel Alleluias，它们出现在独立的口袋中。帝国，或那些咏叹调表明存在的稀少，零散或严格限制的颂歌（限量发行的Alleluias）。第二组包括法兰克·阿勒鲁阿（Frankish Alleluias），他们具有众所周知的经文，但具有广泛的区域旋律传统（Regional Alleluias）。只有第三组的歌颂在文字和旋律上是稳定的（加洛林语核心Alleluias）。对旋律特征和礼仪任务的研究揭示了核心中的两层：一个是在790年代就位的早期层，另一个是进入了790层的层级。九世纪上半叶的剧目。 Compiegne Antiphoner，F-Pn lat。 17436年，是在世的将Core纳入托托的最早手稿。我得出的结论是，法兰克·阿莱鲁亚人不是一次统一的改革努力，而是在查理曼大帝，虔诚的路易斯和秃头的查尔斯进行中的改革的背景下进入了储备库。

著录项

  • 作者

    Striplin, Timothy Allen.;

  • 作者单位

    The University of North Carolina at Chapel Hill.;

  • 授予单位 The University of North Carolina at Chapel Hill.;
  • 学科 Religion History of.;Music.;History Medieval.
  • 学位 Ph.D.
  • 年度 2005
  • 页码 401 p.
  • 总页数 401
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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