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首页> 外文学位 >Indigenous Architecture: Envisioning, Designing, and Building The Museum At Warm Springs.
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Indigenous Architecture: Envisioning, Designing, and Building The Museum At Warm Springs.

机译：土著建筑：设想，设计和建造暖泉博物馆。

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摘要

Many Indigenous communities in North America develop tribal museums to preserve and control tribal knowledge and heritage and counteract negative effects of colonization. Tribal museums employ many Indigenous strategies related to Indigenous languages, knowledges, and material heritage. I argue that architecture can be an Indigenous strategy, too, by privileging Indigeneity through design processes, accommodating Indigenous activities, and representing Indigenous identities.;Yet it is not clear how to design culturally appropriate Indigenous architectures meeting needs of contemporary Indigenous communities. Because few Indigenous people are architects, most tribal communities hire designers from outside of their communities. Fundamental differences challenge both Indigenous clients and their architects. How do Indigenous clients and their designers overcome these challenges?;This dissertation is a history of the processes of creating a tribal museum, The Museum At Warm Springs, on the Confederated Tribes of the Warm Springs Reservation of Oregon. The focus is to understand what critical activities Tribal members, designers, and others did to create a museum whose architecture represents and serves its community. The study also considers how people did things so as to honor Indigenous traditions. Design and construction processes are considered along with strategies that Tribal members and their advocates used to get to where they were prepared to design and build a museum.;Interviews with Tribal members, designers, and others were central sources for the research. Other sources include meeting minutes, correspondence, Tribal resolutions, and the Tribal newspaper. Visual sources such as drawings, photographs, and the museum itself were significant sources also.;This study revealed several key activities that the Confederated Tribes did to position themselves to build the museum. They built an outstanding collection of Tribal artifacts, created and supported a museum society, and hired an outstanding executive director. The Tribes selected and secured a viable site and persisted in finding an architect who met their needs. Collaboration---within the interdisciplinary design team and between designers and Tribal members and contractors---was key. Tribal members shared cultural knowledge with designers who adapted to Indigenous modes of communication. Designers were sensitive to the landscape and committed to representing the Tribes and their world.
机译：北美许多土著社区建立了部落博物馆，以保存和控制部落的知识和遗产，并抵消殖民化的负面影响。部落博物馆采用许多与土著语言，知识和物质遗产有关的土著策略。我认为，通过设计过程使土著人享有特权，适应土著人的活动并代表土著人的身份，建筑学也可以成为土著人的战略;然而，目前尚不清楚如何设计文化上合适的土著人建筑来满足当代土著人的需求。因为很少有土著人是建筑师，所以大多数部落社区都从社区外部雇用设计师。基本差异挑战了土著客户及其建筑师。土著客户及其设计师如何克服这些挑战？；本论文是在俄勒冈州温斯普林斯保留区的同盟部落中建立部落博物馆（温斯普林斯博物馆）的过程的历史。重点是要了解部落成员，设计师和其他人的重要活动，以创建一个博物馆，该博物馆的建筑代表并服务于社区。该研究还考虑了人们如何做事以尊重土著传统。设计和建造过程以及部落成员及其拥护者用来到达准备设计和建造博物馆的策略都被考虑在内;与部落成员，设计师和其他人的访谈是研究的主要来源。其他来源包括会议记录，信件，部落决议和部落报纸。视觉资源（例如图纸，照片和博物馆本身）也是重要的资源。这项研究揭示了同盟部落为建立博物馆而进行的一些重要活动。他们建立了杰出的部落文物收藏，创建并支持了博物馆协会，并雇用了杰出的执行总监。部落选择并确保了可行的场地，并坚持寻找能够满足其需求的建筑师。在跨学科设计团队内部以及设计师与部落成员和承包商之间的协作是关键。部落成员与适应土著人交流方式的设计师分享了文化知识。设计师对景观敏感，并致力于代表部落及其世界。

著录项

  • 作者

    Marshall, Anne Lawrason.;

  • 作者单位

    Arizona State University.;

  • 授予单位 Arizona State University.;
  • 学科 History United States.;Architecture.;Museology.;Native American Studies.
  • 学位 Ph.D.
  • 年度 2012
  • 页码 288 p.
  • 总页数 288
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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