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Hoopla in Harlem! The renaissance of African American art and culture: A rhetorical criticism of artists as social activists during the 1920's and 1930's; engaging the philosophical discourse of Kenneth Burke.

机译：在哈林的Hoopla！非裔美国人艺术和文化的复兴：对1920年代和1930年代作为社会活动家的艺术家的言辞批评；参与肯尼思·伯克（Kenneth Burke）的哲学论述。

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Harlem glittered as one on the world's most vivid entertainment centers during the 1920's and 30's. Nightlife revolved around The Cotton Club, Smalls Paradise and The Savoy Ballroom; featuring floor shows headlining glamorous African American women and whiskey unavailable in downtown Greenwich Village clubs.;African American Artists during the Harlem Renaissance were Social Activists, making a significant contribution to black culture and aesthetics. Creating the notions of Black Identity, Black Consciousness and Black Pride Sustained these Artists as Activists in the face of adversity and placed "The New Negro" on the global artistic scene.;Dr. Alain Locke wrote the manifesto for "The New Negro" movement and W.E.B. DuBois was the harbinder to lead a cadre of African American Artists to Harlem, their creative promised land. From the world of literature, Jessie Fauset and James Weldon Johnson; From the world of dance and music, Kaherine Dunham and Marian Anderson; From the world of theatre and film, Paul Robeson and Oscar Micheaux. This dissertation examines these Artists as Activists and their works as symbols of social protest, engaging the philosophical discourse of Kenneth Burke.

机译：哈林在1920年代和30年代在世界上最生动的娱乐中心之一闪闪发光。夜生活围绕“棉花俱乐部”，“小天堂”和“萨沃伊舞厅”开展；特色地板展示了迷人的非洲裔美国女性和格林威治村市中心的俱乐部所没有的威士忌酒。；哈林文艺复兴时期的非裔美国艺术家是社会活动家，对黑人文化和美学做出了重要贡献。创造黑人身份，黑人意识和黑人自豪感的概念，使这些艺术家在面对逆境时成为激进主义者，并将“新黑人”置于全球艺术界。阿兰·洛克（Alain Locke）为“新黑人”运动和W.E.B.撰写了宣言。杜波依斯（DuBois）是带领一群非裔美国艺术家前往哈林（Harlem）的障碍，哈林是他们有创造力的希望之地。来自文学界的杰西·福塞特（Jessie Fauset）和詹姆斯·韦登·约翰逊（James Weldon Johnson）；来自舞蹈和音乐界的凯瑟琳·邓纳姆（Kaherine Dunham）和玛丽安·安德森（Marian Anderson）；来自戏剧和电影界的Paul Robeson和Oscar Micheaux。本文考察了这些作为活动家的艺术家及其作为社会抗议活动象征的作品，这些作品涉及肯尼思·伯克的哲学话语。

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作者
Tillman, Gregory Anthony.;
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The Florida State University.;

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授予单位 The Florida State University.;
学科 Rhetoric.;Black history.;American literature.;Film studies.;Dance.;Cultural anthropology.;Music.;Theater.
学位 Ph.D.
年度 2005
页码 120 p.
总页数 120
原文格式 PDF
正文语种 eng
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Hoopla in Harlem! The renaissance of African American art and culture: A rhetorical criticism of artists as social activists during the 1920's and 1930's; engaging the philosophical discourse of Kenneth Burke.

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