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The art of self-making: American modernist fiction and the performances of identity and authorship.

机译:自我创造的艺术:美国现代派小说以及身份和作者身份的表现。

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摘要

This project argues for the relatedness of the authorial desire for textual self-representation visible in many works of American modernist fiction and the modern myth of the self-made man. I contend that the historical and cultural forces which shaped both phenomena in the latter half of the 19th and the first half of the 20th centuries are not incidental but integral to the modern understanding of America. I also contend that these phenomena are the products of a particular historical anxiety about male gender identity and its relation to biological futurity. Specifically, American authors are wrestling with the implications of male-centered views of cultural reproduction, including the myth of the "self-made" man, by using their fiction to seek out an exclusively-male model for how creativity and textual authority function. The failures which haunt these attempts in American modernist fiction---the persistent failures of American fathers, the destructive and deformed portraits of male-female gender relations, the legacy of dead and unborn children---all stem from and gesture back towards an irreconcilable, phallogocentric vision of American fiction.
机译:该项目主张在美国现代主义小说的许多作品和白手起家的现代神话中都可见到作者对文本自我表现的渴望的相关性。我认为,在19世纪下半叶和20世纪上半叶形成这两种现象的历史和文化力量并非偶然,而是现代对美国的理解所不可或缺的。我还认为,这些现象是对男性性别认同及其与生物未来性的联系的特殊历史焦虑的产物。具体地说,美国作家正在通过他们的小说寻找一种关于创造力和文本权威如何发挥作用的完全男性化的模型,以男性为中心的文化复制观点的含义,包括“白手起家”的神话。困扰着美国现代主义小说中这些尝试的失败-美国父亲的持续失败,男女性别关系的破坏性和变形肖像,死去的和未出生的孩子的遗产-都源于并转向对美国小说的不可调和的,以透视为中心的观点。

著录项

  • 作者

    Camacho, Kenneth Michael.;

  • 作者单位

    University of South Carolina.;

  • 授予单位 University of South Carolina.;
  • 学科 American Studies.;Gender Studies.;Literature American.
  • 学位 Ph.D.
  • 年度 2010
  • 页码 203 p.
  • 总页数 203
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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