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Fashioning flax: Industry, region, and work in North American fibre and linseed oil, 1850--1930.

机译:时装亚麻:1850--1930年间在北美纤维和亚麻籽油中使用的产业,地区和工作。

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摘要

More flax was grown on the temperate grasslands of the Americas than in all the linen producing countries of Europe, and by the 1850s most of the crop was used to make paint. Flax has become a symbol of pioneer self sufficiency, but in British North America its main story begins on established Canadian farms in the mid nineteenth century and ends with an extensive Prairie flax belt. This thesis is about the industrial and intellectual fashioning of flax and flax products, and the adaptability of producers to new markets and environments. It finds that flax in North America was not about homespun and self-sufficiency but about industrial production driven by demand for intermediate fibre products and the emerging oilseed sector. By the nineteenth century, North American flax appeared in vehicles and houses more than clothing and bedding. Flax fibre was usually for manufacturing upholstery, cordage, and rough textiles such as sails and grain bags, and flax seed produced linseed oil, the foundation for paint, varnish, and linoleum. In both its forms, flax demonstrates how commodities disappeared into a world of manufactured goods, and how spurious images develop over time. The romantic story of independent yeomen bringing flax from field to fabric is presented at most pioneer museums, but the real picture would include complex intermediate goods in carriages, homes, and furniture; family and First Nations work gangs harvesting flax owned by millers, not farmers; and Mennonites and other sodbusters bringing extensive flax cultivation to new land through market and contract prices set by large integrated enterprise. The process of painting was connected to the process of farming, and in Canada consuming colour meant cultivating the plains. The plant grew quickly on new breaking and best on land that was free of disease, and therefore it became a significant first crop on some of the most fragile and unforgiving northern grasslands. Over two centuries of flax fibre promotion by state and farm officials have had little effect on the flax industry, and where flax did appear it was as part of market-responsive and environmentally-innovative adaptations.
机译:在美洲的温带草原上,亚麻种植的数量超过了欧洲所有亚麻生产国,而到1850年代,大部分作物都被用来制造油漆。亚麻已经成为先锋自给自足的象征,但在英属北美,其主要故事始于19世纪中叶建立的加拿大农场,并以广阔的草原亚麻地带结束。本文的主题是亚麻和亚麻产品的工业化生产和知识生产,以及生产者对新市场和新环境的适应性。研究发现,北美的亚麻并不是关于家纺和自给自足的,而是关于中间纤维产品和新兴油料种子需求推动的工业生产的。到19世纪,北美亚麻在汽车和房屋中的使用已超过了服装和被褥。亚麻纤维通常用于制造室内装潢,绳索和粗糙的纺织品,例如帆和谷物袋,而亚麻籽生产的亚麻籽油则是油漆,清漆和油毡的基础。亚麻以其两种形式展示了商品如何消失在制成品的世界中,以及虚假图像如何随时间发展。大多数先驱博物馆都讲述了独立的也门人将亚麻从田间带到织物的浪漫故事,但真正的图画将包括马车,房屋和家具中的复杂中间商品。家庭和原住民工作团伙收获的是种植者而非农民的亚麻。 Mennonites和其他垃圾处理商通过大型综合企业确定的市场价格和合同价格将大量的亚麻种植带到了新土地上。绘画的过程与耕作的过程有关,在加拿大,消费色彩意味着耕种平原。该植物在新的突破中生长迅速,在无病的土地上生长最快,因此成为一些最脆弱和最无情的北部草原上重要的第一作物。州和农场官员推广亚麻纤维已有两个多世纪,对亚麻产业影响不大,亚麻的出现确实是市场适应和环境创新的一部分。

著录项

  • 作者

    MacFadyen, Joshua D.;

  • 作者单位

    University of Guelph (Canada).;

  • 授予单位 University of Guelph (Canada).;
  • 学科 History Canadian.;Biology Animal Physiology.;History United States.
  • 学位 Ph.D.
  • 年度 2010
  • 页码 331 p.
  • 总页数 331
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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