• 主题
高级搜索  >
历史搜索 清空历史
首页> 外文学位 >Ghosts between the wars: History and the imagination in Proust, Woolf, and Greene (France, Marcel Proust, Virginia Woolf, Graham Greene).
【24h】

Ghosts between the wars: History and the imagination in Proust, Woolf, and Greene (France, Marcel Proust, Virginia Woolf, Graham Greene).

机译：战争之间的幽灵：普鲁斯特，伍尔夫和格林（法国，马塞尔·普鲁斯特，弗吉尼亚·伍尔夫，格雷厄姆·格林）的历史和想象力。

获取原文
获取原文并翻译 | 示例
页面导航
  • 摘要
  • 著录项
  • 相似文献
  • 相关主题

摘要

Ghosts Between the Wars: History and the Imagination in Proust, Woolf, and Greene explores Le Temps Retrouve, Mrs. Dalloway, and A Gun for Sale as narratives in which World War One haunts the landscape of the mind. Relationships with history and with other people are presented by Proust, Woolf, and Greene as mysteries that must be constantly and imaginatively re-engaged. All three suggest that our ethical obligation to imagine gains urgency in an era of crisis and division. In each text, division---whether between home and the Front, civilians and soldiers, ally and enemy---is both exemplified and undercut by some version of ghostly doubleness. Characters and places that appear to be opposites prove to have unexpected affinities.; I argue that all three novels have a shared focus on home as a fragile space of relative safety, and that each illuminates a different temporal vantage point on the war as traumatic event. In Le Temps retrouve, war breaks in as a current event, confronting the narrator with the shock of interruption. With home overtaken by front-line fighting, Combray is a space that bears both the marks of the narrator's personal past and the marks of the collective present, bringing disparate times and experiences into relationship. In Mrs. Dalloway, the war is recent trauma, coated over by a thin veneer of routine and sentimental patriotism. Yet, across the gap in experience that divides Clarissa Dalloway and Septimus Smith, the narrative weaves threads of authentic connection. A ghost story of sorts, it suggests that sensitivity to haunting is a mode of compassion. In A Gun for Sale, war looms again on the horizon, a seemingly inevitable repetition. Greene's thriller suggests that the future is shaped by what haunts us, by the dynamic of remembering and forgetting, and by our unwillingness to see ourselves in our enemy.; Informed by the work of Valery, Kermode, Nussbaum, and Bakhtin---and framed by the modern trauma of September 11---my project argues that narrative is a collaboration between imaginative storyteller and imaginative reader, serving as an intersection between the experience of history articulated in the text and the experience of history readers bring to it.
机译：《战争之间的幽灵：普鲁斯特，伍尔夫和格林中的历史与想象》探讨了《 Le Temps Retrouve》，《 Dalloway太太》和《出售枪支》，作为一战中缠身心灵的叙述。 Proust，Woolf和Greene将与历史以及与其他人的关系描述为必须不断和富有想象力地重新结合的奥秘。这三者都表明，在危机和分裂的时代，我们的道德义务变得更加紧迫。在每个文本中，无论是在本国还是在前线，在平民和士兵之间，在盟友和敌人之间，都被某种形式的幽灵双重性所例证和削弱。看起来相反的人物和地方证明具有意想不到的亲和力。我认为，所有三本小说都将焦点集中在脆弱的相对安全空间上，而每本小说都将战争作为创伤性事件来说明不同的时间优势。在《 Le Temps》回顾中，战争作为当前事件而爆发，使叙述者面对中断的冲击。在前线战斗中，住所被占领了，康布雷是一个既具有叙述者个人过去的标记又具有集体当前的标记的空间，将不同的时间和经验联系在一起。在达洛维夫人中，战争是最近的创伤，被薄薄的例行和感性的爱国主义所掩盖。然而，在跨越Clarissa Dalloway和Septimus Smith的经验鸿沟中，叙事编织了真实联系的线索。各种各样的鬼故事，表明对困扰的敏感是一种同情心。在《出售枪支》中，战争再次隐约可见，这似乎是不可避免的重复。格林的惊悚片暗示，未来是由困扰我们的事物，记忆和遗忘的动力以及我们不愿在敌人面前看到自己所决定的。在Valery，Kermode，Nussbaum和Bakhtin的著作的启发下-并在9月11日的现代创伤的背景下-我的项目认为叙事是富有想象力的叙事者与富有想象力的读者之间的合作，是体验之间的交集文本中阐明的历史意义和历史读者的经验也为文本带来了帮助。

著录项

  • 作者

    Wilkins, Amanda Elizabeth Irwin.;

  • 作者单位

    Princeton University.;

  • 授予单位 Princeton University.;
  • 学科 Literature Comparative.; Literature English.; Literature Romance.
  • 学位 Ph.D.
  • 年度 2005
  • 页码 216 p.
  • 总页数 216
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 文学理论;世界文学;
  • 关键词

相似文献

  • 外文文献
  • 中文文献
获取原文

客服邮箱：kefu@zhangqiaokeyan.com

京公网安备：11010802029741号 ICP备案号：京ICP备15016152号-6 六维联合信息科技 (北京) 有限公司©版权所有

  • 客服微信

  • 服务号