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>Deconstruction, metafiction, fairy tales, and feminism: A comparative study of Rosa Montero's 'Te tratare como a una reina' and 'Bella y oscura' and Toni Morrison's 'Tar Baby' and 'The Bluest Eye'.
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Deconstruction, metafiction, fairy tales, and feminism: A comparative study of Rosa Montero's 'Te tratare como a una reina' and 'Bella y oscura' and Toni Morrison's 'Tar Baby' and 'The Bluest Eye'.
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机译：解构，超小说，童话和女权主义：罗莎·蒙特罗（Rosa Montero）的《 Te tratare como a una reina》和《贝拉·奥索拉》（Bella y oscura）与托尼·莫里森（Toni Morrison）的《塔尔婴儿》（Tar Baby）和《最蓝的眼睛》（Bluest Eye）的比较研究。
The role that literature embedded with fairy and folk tale myths plays in identity formation has attracted the attention of both feminist and postmodern writers and critics. African American and Spanish women writers are concerned with the lack of literature fostering strong female models. These women are bonded by their journey to overcome the internalization of controlling patriarchal perceptions and images of women, like the repressive stereotypes that permeate literature, many of which are encoded in folk and fairy tale myths.;The purpose of this study is to examine how Toni Morrison and Rosa Montero use similar techniques to subvert and deconstructively rewrite the fairy tale icons of the heroine and the hero masquerading as real, thus underscoring the conflict between literature and reality. I focus on their use of binary oppositional characters, mirrors, inversions, and metafiction, to deconstruct the stereotypical roles of both men and women, underscoring the role that literature plays in creating self-identity problems when women try to imitate fictional characters. The reader is forced to reexamine literary icons and their role in the real world.;The introduction places into perspective the role that fairy and folk tale myths have in the formation of stereotyping and the effect of patriarchal society on the individual's achievement and retention of an integrated, acceptable self. After identifying the aspects of the narratology in chapter one, I begin the textual analysis of Tar Baby. In chapter two, I apply Patricia Hill Collins' and bell hooks' theories on the underlying system of objectification and domination to Te tratare como a una reina . In chapters three and four I explore how The Bluest Eve and Bella y oscura respectively probe the African American and Spanish women's sense of helplessness, its connection to father/daughter dependency, and the role of fairy tales in the formation of this relationship.
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机译：童话和民间传说神话中嵌入的文学在身份形成中的作用引起了女权主义者和后现代作家和评论家的关注。非裔美国人和西班牙女作家担心缺乏文学来培养坚强的女模特。这些女性通过克服对父权制的控制和对女性形象的控制的内在化而被束缚，例如渗透到文学中的压制性刻板印象，其中许多是民间传说和童话神话中的编码。本研究的目的是研究如何托尼·莫里森（Toni Morrison）和罗莎·蒙特罗（Rosa Montero）使用类似的技术来颠覆和破坏性地改写女主人公和伪装成真实人物的童话故事，从而突显了文学与现实之间的冲突。我将重点放在他们使用二元对立字符，镜像，倒置和元小说方面，以解构男性和女性的陈规定型角色，着重强调文学在女性试图模仿虚构人物时在创造自我认同问题中所扮演的角色。读者被迫重新审视文学偶像及其在现实世界中的作用。导言将童话和民间传说神话在定型观念的形成中的作用以及父权制社会对个人成就和保留的影响进行了透视。综合的，可以接受的自我。在第一章中确定了叙事学的各个方面之后，我开始对《 Tar Baby》进行文本分析。在第二章中，我将帕特里夏·希尔·柯林斯（Patricia Hill Collins）和贝尔·胡克斯（Bell hooks）的理论应用在客观化和统治性的底层系统上，以无可奈何的方式来对待。在第三章和第四章中，我将探讨“最蓝的夏娃”和“贝拉·奥索拉”如何分别探讨非洲裔美国人和西班牙妇女的无助感，其与父/女依赖性的联系以及童话故事在这种关系形成中的作用。
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