• 主题
高级搜索  >
历史搜索 清空历史
首页> 外文学位 >Conceptual art magazine projects and their precedents.
【24h】

Conceptual art magazine projects and their precedents.

机译：概念艺术杂志项目及其先例。

获取原文
获取原文并翻译 | 示例
页面导航
  • 摘要
  • 著录项
  • 相似文献
  • 相关主题

摘要

Conceptual art magazine projects (like their earlier twentieth-century predecessors and later related tendencies) are designed to function as art or art-like occurrences in printed magazines. Magazine projects are not reproductions of artworks that were constructed for other purposes but are, rather, artworks in reproduction. The projects that I deal with involve deliberate employment and/or disruptions of the conventions of magazine publications; they were designed to alter and reconfigure the readers' experience of the magazine as a form of communication as well as challenge their expectations of art and its possible manifestations. The publications studied include small-run, self-produced journals designed as complete clustered or interrelated artworks through to mass-market art magazines for which the artists were invited to contribute one or more pages, and where the pages were understood to function as either alternative exhibition spaces or as discussion forums for ideas about art.;I examine the origins of magazine projects during the early years of the century in European Expressionist, Futurist, Dadaist, International Constructivist, and Surrealist periodicals of the teens to the late 1940s. I also discuss later precedents for Conceptual art in Fluxus and experimental writing of the 1960s. Subsequent chapters are studies of one of several distinguishable means that were employed for using the magazine format to produce and distribute artwork. Examples of the use of each generalized approach are then analysed in detail to support this typology. To conclude the dissertation, I examine the relation between Conceptual art and aesthetics because it is frequently proposed that it somehow managed to avoid aesthetics altogether. I consider the aesthetic role of obstacles to sensibility in Conceptual art and the encounter with art being a kind of learning-like activity that expands both understanding and general awareness. With Conceptual art, the pre-given knowledge and circumstantial evidence surrounding an artwork become part of the work in extension. Context, history, and interpretation are externally embedded as fluctuating components of the work. I reach this conclusion by the theorizing of a lateral extension of artwork and artist functions.
机译：概念性艺术杂志项目（例如其20世纪前期的先驱和后来的相关趋势）旨在充当印刷杂志中的艺术品或类似艺术品。杂志项目不是为其他目的而建造的艺术品的复制品，而是复制品中的艺术品。我处理的项目涉及故意雇用和/或破坏杂志出版物的惯例；它们旨在改变和重新配置读者对杂志的体验，以此作为一种交流形式，并挑战他们对艺术的期望及其可能的表现形式。研究的出版物包括设计成完整的或相互联系的艺术品的小规模自产期刊，再到大众市场艺术杂志，这些艺术家被邀请为他们撰写一个或多个页面，并且这些页面被理解为可替代的展览空间或讨论艺术思想的论坛。；我考察了20世纪初至1940年代后期欧洲表现主义，未来主义，达达主义，国际建构主义和超现实主义期刊中杂志项目的起源。我还将讨论Fluxus概念艺术的后来先例和1960年代的实验写作。随后的章节是对几种可区别的手段之一的研究，这些手段被用于使用杂志格式制作和分发艺术品。然后详细分析每种通用方法的使用示例，以支持这种类型。总结本文，我考察了概念艺术与美学之间的关系，因为人们经常提出它以某种方式设法完全避免了美学。我认为概念艺术中感性障碍的美学作用以及与艺术的相遇是一种类似于学习的活动，可扩展理解和一般意识。借助概念艺术，围绕艺术品的预先提供的知识和环境证据成为延伸作品的一部分。上下文，历史和解释在外部被嵌入为作品的波动组成部分。通过对艺术品和艺术家功能的横向扩展进行理论化，我得出了这个结论。

著录项

  • 作者

    Allan, Ken.;

  • 作者单位

    University of Toronto (Canada).;

  • 授予单位 University of Toronto (Canada).;
  • 学科 Art History.
  • 学位 Ph.D.
  • 年度 2004
  • 页码 346 p.
  • 总页数 346
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

相似文献

  • 外文文献
  • 中文文献
  • 专利
获取原文

客服邮箱：kefu@zhangqiaokeyan.com

京公网安备：11010802029741号 ICP备案号：京ICP备15016152号-6 六维联合信息科技 (北京) 有限公司©版权所有

  • 客服微信

  • 服务号