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首页> 外文学位 >The Art of Printing and the Culture of the Art Periodical in Late Imperial Russia (1898--1917).
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The Art of Printing and the Culture of the Art Periodical in Late Imperial Russia (1898--1917).

机译：俄国晚期帝国时期的印刷艺术和艺术期刊文化（1898--1917年）。

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摘要

This interdisciplinary dissertation explores the World of Art (Mir Iskusstva, 1899-1904), The Golden Fleece (Zolotoe runo, 1906-1909) and Apollo (Apollon, 1909-1917), three art periodicals that became symbols of the print revival and Europeanization in late Imperial Russia. Preoccupied with high quality art reproduction and graphic design, these journals were conceived and executed as art objects and examples of fine book craftsmanship, concerned with the physical form and appearance of the periodical as such. Their publication advanced Russian book art and stimulated the development of graphic design, giving it a status comparable to that of painting or sculpture. This work offers a detailed examination of the first or “inaugural” numbers, which represented manifesto-like editorial positions expressed in words and images. Thus, the World of Art announced the Europeanization of art theories and art themes and offered a Russian version of Art Nouveau; The Golden Fleece promoted Symbolist art, while Apollo advocated Apollonianism as a “classical revival”. In exploring journals as art objects, this dissertation engages Gérard Genette’s notion of “paratext”, which serves as an umbrella approach to the explanation of the material dimension of the periodical. Treated as spatio-temporal media combinations, the art periodicals are analyzed as complex artefacts that combine text and image, which together affect meaning. This dissertation also explores in detail the historical preconditions of the rise of art journals, i.e. the emergence of the first art periodicals and illustrated press in the nineteenth century, the development of reproduction technologies and the role of art reproductions in culture – all of which are factors that led to the appearance of the journals as art objects. Further, it analyses the socio-historical context of the formation and function of editorial boards and examines the periodicals’ ideologies as articulations of “group identities” that became the impetus behind the art journals’ visual appearance.
机译：这门跨学科的论文探讨了三个艺术期刊，分别是版画复兴和欧洲化的象征：艺术世界（Mir Iskusstva，1899-1904年），金羊毛（Zolotoe runo，1906-1909年）和阿波罗（Apollon，1909-1917年）在晚期的帝国俄罗斯。这些期刊专注于高质量的艺术复制和图形设计，被构思和执行为艺术品和精美工艺的实例，并关注期刊的物理形式和外观。他们的出版促进了俄罗斯书籍艺术的发展，并刺激了图形设计的发展，使其地位可与绘画或雕塑媲美。这项工作提供了对第一个或“就诊”数字的详细检查，这些数字代表用文字和图像表达的宣言式编辑立场。因此，艺术世界宣布了艺术理论和艺术主题的欧洲化，并提供了俄罗斯版的新艺术风格。 Golden Fleece提倡象征主义艺术，而Apollo提倡Apollonianism是“古典复兴”。在探索期刊作为艺术品的过程中，本文采用了杰拉德·吉内特（GérardGenette）的“超文本”概念，该概念是解释期刊的实质性维度的总体方法。将艺术期刊视为时空媒体组合，将其视为结合了文字和图像的复杂文物，这些文物共同影响意义。本文还详细探讨了艺术期刊兴起的历史前提，即19世纪第一批艺术期刊和插图媒体的出现，复制技术的发展以及艺术复制品在文化中的作用-所有这些都是导致期刊成为艺术品的因素。此外，它分析了编辑委员会的形成和功能的社会历史背景，并考察了期刊的意识形态作为“群体身份”的表达，这成为了艺术期刊视觉外观的推动力。

著录项

  • 作者

    Chuchvaha, Hanna.;

  • 作者单位

    University of Alberta (Canada).;

  • 授予单位 University of Alberta (Canada).;
  • 学科 Art History.;History Russian and Soviet.;Mass Communications.
  • 学位 Ph.D.
  • 年度 2012
  • 页码 430 p.
  • 总页数 430
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 老年病学;
  • 关键词

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